Photography Gear

With constant rapid movements and adrenaline-filled expressions, sports events present unbeatable opportunities for amazing shots to show off your photography skills. But those opportunities also come with various unique challenges.

As anyone who as ever attempted sports photography will tell you, trying to capture all-star moments can quickly become an exercise in frustration if you don’t have the right equipment. Instead of poster-worthy prints, you can easily end up turning out one blurry picture after another of ant-sized players that no one can identify.

To help avoid such sad results, you may have already realized that investing in a dedicated sports lens is an absolute necessity.

If that’s your case but you’re not sure which lens you need, continue reading to find out our top picks for the Nikon lenses that will amp up the wow factor in your action shots.

Top Pick | Tamron 70-200 f/2.8 G2

Although there are undoubtedly some excellent Nikkor lenses available to meet your sports photography needs (we’ll talk about those later in this article), this time, in our opinion, the best bet for most aspiring sports photographers is the Tamron 70-200mm f/2.8 G2. Designed for FX bodies, it also works with DX bodies where it’s zoom range changes to 15-300mm.

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The expansive focal length offered by this piece of glass maintains its maximum 2.8 aperture even when extended to 200mm, assuring that you don’t have to make compromises when shooting. You can get even closer to your target and still be able to capture lots of light with the aperture wide open.

Due to the particular challenges of sports photography that often combine the need to freeze action with less than optimal lighting conditions, it’s common to battle dark, blurry photos. With this Tamron lens that becomes less of a problem as you’re able to rely more heavily on aperture than on a slow shutter speed to grab the most available light possible.

This is a big advantage, because it allows you the freedom to make the most of the Tamron’s USD (Ultrasonic Silent Drive) motor that gives you lightning fast focusing and shutter speed to freeze your subjects in action.

These factors coupled with Tamron’s innovative VC image stabilization system, that can compensate for up to 5 full stops, give you lots of rapid-fire hand-held freedom for almost every sports shooting situation.

And as if all that weren’t enough, Tamron offers two teleconverters (purchased separately) that allow you to reach a maximum zoom of 400mm.

With so much to offer and user-confirmed great performance, the Tamron 70-200mm f/2.8 G2 just makes sense. At $1300, it’s still an investment piece but also basically half the price of an equivalent Nikkor glass—and offers at least 95% of the performance. Those odds practically guarantee you’ll be more than satisfied if you opt for this lens as you delve into the world of sports photography.

Budget Full-Frame Option | Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR

If you’re in the market for a full-frame lens that won’t require a $1000+ investment, an excellent budget option is the Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR.

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At roughly $500, you can expect that this lens does make some sacrifices. However, it remains a solid piece that will up your sports photography game considerably.

One of this lens’s most attractive features undoubtedly is its wide zoom range extending all the way out to 300mm, bringing you closer than ever to your rapidly moving target to capture those unforgettable sports moments.

Designed to be a compact lens that offers more hand-held shooting possibilities, this lens includes Nikon’s upgraded Vibration Reduction II technology to compensate for up to 2.5 stops of camera shake. This means that you can have more freedom to shoot in less than ideal lighting conditions that some other telephoto lenses can’t handle.

NOTE: There is a much less expensive model of this lens without VR that I don’t recommend. So be careful and use the links above to make sure you get the right one.

Unfortunately, in order to achieve being friendlier on the wallet and less bulky, the Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR sacrifices aperture. With a maximum aperture of f/4.5 at 70 mm and f/5.6mm at 300mm, this is not a prime lens and you will likely note its limitations if you frequently shoot sports events at night or in very dimly lit spaces. It may not be impossible to still get great shots but be prepared to work for them and to potentially sacrifice handholding.

Obviously, if your sports photography focuses mainly on daytime and outdoor events, this lens is more than able to produce great results. It, like all of Nikon’s AF-S lenses, has been designed with a Silent Wave Motor to enable quick focusing on the fly. This rapid response is especially important in sports photography where one second extra could mean completely missing an award-winning shot.

Users are consistently satisfied with the performance of the Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR, frequently citing its great value for the high-quality images produced. For those just wanting to get their feet wet in the world of sports photography, this lens is undoubtedly an obvious choice.

Crop Sensor Pick | Nikon AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR

A similar option to our budget FX pick but designed specifically for DX body cameras, the Nikon AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR offers practically the same benefits.

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Reaching out to 300mm at the long end, this lens makes getting close to a great sports moment happening further out in the field easier than ever.

Thanks to the sacrifices made with regards to aperture, this lens is rather compact and not too weighty which makes it friendly on the back when you’re out shooting for several hours. Obviously, you can expect to lose the advantages offered by a wider aperture that make for faster shooting with clearer results.

However, at only $400, that may not be a deal-breaker for many shooters. As with the previously discussed lens, this piece of glass also includes the Silent Wave Motor for more accurate and responsive autofocusing. Additionally, Vibration Reduction technology helps control camera shake.

In short, despite its limitations, this lens is quite capable of producing great sports images. Some users do note a degree of aberration in shots taken at 300mm, and those who use it in indoor or low-lighting events note that they typically need to compensate for the restricted aperture by dramatically increasing ISO and/or using a tripod.

Z Mount Pick | Nikon S 70-200 f/2.8

For shooters with a Z mount body ready to make a big investment for sports photography, the obvious choice is the Nikon S 70-200 f/2.8. Without a doubt, this stunning piece of glass is a gem that both promises and delivers excellent results.

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Part of Nikon’s S-line lenses designed exclusively for Z mount bodies, the painstaking focus on optical quality and performance make this lens possibly the best 70-200 lens currently on the market. In features, it really leaves nothing to be desired.

The consistent f/2.8 aperture guarantees broad low-light shooting capabilities even when extended to 200 mm. This coupled with not one but two autofocus motors makes rapid-fire autofocusing a reality, meaning that shooting in almost any sports situation is now not only possible but easier than ever. As a bonus, the performance is near silent adding to the finesse of your shooting experience.

Additional notable characteristics of this lens include coatings like Nikon’s Nano Crystal Coat and Fluorine Coat to fight both reflections and dirt that can ruin an otherwise award-winning shot. On top of that, the lens body itself is ruggedly designed against dust and moisture to make sure this lens can withstand field conditions.

One look at all this lens offers and there is absolutely no doubt that it has been meticulously designed to be fast, reliable and optically superior to all its competitors. Unfortunately, that incredible attention to detail and the stunning results it helps produce do come at a steep price, to the tune of $2,600.

This makes the Nikon S 70-200 f/2.8 an investment piece, probably only for the serious photographer determined to make a break into the world of sports photography. If you’re looking for excellence in a telephoto lens, this one’s probably the closest you’re going to get…and only you can decide if the perfection it offers is worth the accompanying price tag.

Best Option for Extra Reach | Nikon AF-S NIKKOR 200-400mm f/4G ED VR II

For many sporting events, a solid 70-200mm telephoto lens is more than enough to capture the majority of the shots you’re after. However, certain cross-country events may call for a lens with extra reach. If long-range is the type of sports photography that interests you, your best option will undoubtedly be the Nikon AF-S NIKKOR 200-400mm f/4G ED VR II.

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This impressive piece of professional-grade glass removes all limits imposed by reach and lets you get up close and personal with the action anywhere on the field. But this lens won’t only get you close to action in the moment. It specializes in creating images that are just as stunning as what you see in the viewfinder.

Designed with multiple features like Nikon’s Silent Wave Motor, Vibration Reduction Technology, Extra Low Dispersion Glass and Nano Crystal Coat, the Nikon AF-S NIKKOR 200-400mm f/4G ED VR II is prepared to meet the challenges of sports photography with ease.

These elements help ensure consistent performance that produces clear images without falling victim to camera shake or sluggish focus issues. The consistent f/4 aperture also gives additional control over lighting conditions making for reliable, fast performance.

As you can expect a piece of glass with this range and these kinds of professional specs, doesn’t come cheap. At $7000 new, this one’s only going to be an option for a very specific type of photographer with well-defined photography goals in mind—and a back healthy enough to lug around nearly 7.5lbs of extra weight when out on assignment.

Best for Closer Action | Tamron 24-70 f/2.8 G2

As much as we have focused in this article on the broad reach offered by various telephoto zoom lenses to get up close and personal with action happening in the distance, we can’t neglect to take into account the sports shooting situations that call for a lens capable of capturing closer action.

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Courtside photography is one such situation that calls for a lens that can give you excellent wide-angle shots when players may be passing within a few yards of your lens barrel. In these types of shooting circumstances, our recommended lens is the Tamron 24-70 f/2.8 G2.

For starters, the solid f/2.8 aperture helps ensure great low-light capability and quick performance. The 24-70mm zoom range also offers a great deal of versatility taking you from wide angle to a decent zoom range all in one lens, allowing you the ease of shooting both what’s happening in front of you of the field as well as what transpires on the opposite side of the court.

Various design elements including Tamron’s 5-stop Vibration Compensation system and an innovative dual Micro-processing unit make capturing crystal-clear images quickly more achievable than ever.

Users consistently rave about the high-quality images produced by the Tamron 24-70 f/2.8 G2 as well as the speed of its autofocus. At $1200, this lens’s performance comes at a decent price, but for those photographers who shoot sporting events at close-ranges, it could be a worthwhile investment to take their photography to unknown levels of wow-factor.

Runner-Up | Tamron SP 150-600mm f/5-6.3 Di VC USD G2

For photographers wanting to experiment with a wide gamut of sports shooting conditions using just one lens, one solid piece of glass that offers great reach and reliable performance could be the best option.

Our runner-up choice, the Tamron SP 150-600mm f/5-6.3 Di VC USD G2 fits that bill.

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Spanning from 150-600mm, this lens gives you a broad span of reach. With its limited aperture, lowlight shooting can be a challenge, particularly at f/6.3 when extended to 600mm. This means that nighttime or dusk shots at long range are probably not going to turn out magazine-worthy results.

Users do note that despite various features such as Vibration Compensation and lens coatings, this lens can tend to produce soft results depending upon other factors such as lighting and weather conditions. Some also note that the autofocus on this lens can tend to be a little more sluggish than what might be desirable with fast-moving subjects.

That being said, in daylight shooting conditions, the Tamron SP 150-600mm f/5-6.3 Di VC USD G2 is more than up for the challenge to produce solidly impressive sports photos. And at only $1200, it’s a pretty economical option for the versatility it offers.

What to Look for When Choosing a Sports Lens

After hours of research, we feel convinced that our top picks for a Nikon sports lens are the best options on the market today. However, we also realize that you might still want to compare other possibilities to make sure you choose the glass best suited to your particular needs.

If that’s your case, try keeping in mind the following specifications when making your final decision.

Long Enough Focal Length for The Sport You Shoot

Perhaps your end goal is to become a dedicated sports photographer who shoots a wide range of sports. But for many sports photographers, especially initially, there’s one or two sports that are the focus of their shooting.

Consider the field conditions of your sport. Bigger field sports like football and soccer may need longer lenses to reach the other side of the field, while indoor sports like basketball or volleyball may call for a wider-angle lens.

Over time, you’ll likely find yourself wanting to expand your camera bag to include two bodies with different lens options. But when making your initial lens purchase, think about how much reach you’ll need to get as close as you want to the unforgettable moments your sport offers.

Fast Max Aperture

As you may have noted throughout this article, having a reliable fast aperture is a primary concern for sports photographers. Having a wide-open aperture that lets in lots of light and enables you to use lightning fast shutter speed is a bonus in practically all sports, but especially important for indoor sports or night games on fields that aren’t well lit.

If your shooting is focused primarily on events that occur outside in broad daylight, you can sacrifice aperture (at least to a certain degree) in favor of other details like zoom range and price. Otherwise, buy the widest max aperture your budget can afford to help ensure you always reliably freeze the action in all lighting conditions.

Fast Autofocus

Speed is essential for a sports photographer. In the literal blink of an eye, big moments happen and if your lens is struggling to focus, you’ll miss most of them.

To avoid the frustration of framing an award-winning image only to miss the shot entirely or get a blurry one because you couldn’t focus, make sure to get a lens with proven fast autofocus capabilities.

Both with the firing of shots and focus, slick, seamless speed can literally make or break your up and coming sports photography career.

Good Handling

Also take time to consider how the lens you choose will feel in your hands. Everything from size to weight and button position can affect the ease of use for you, the photographer.

If a lens feels overly bulky or awkward in your hands, it’s very likely to cause you undue frustration on the field. While there is an expected learning curve with all new equipment, if the first thing you notice when you pick up a lens is the ache in your shoulders or if your fingers can’t easily reach essential buttons, that may be an indication to look for another option more suited to your needs.

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Ultimately, the lens you choose to begin or advance your sports photography endeavors will depend a lot upon your budget and your personal goals. Thankfully options abound, and we feel safe in assuring you that any one of our top picks is sure to produce spectacular results.

Nature is Earth’s biggest photo op, and the best part is that she shares her beauties with us for free.

Whether you find yourself taking a long hike in the woods or traipsing across the family farm, it’s practically impossible to resist the temptation to pause and capture the splendors of nature.

In those golden moments, having the correct lens can make all the difference between lackluster results and a work of art worth framing to hang on your wall.

If you’re looking to gear up for that next nature excursion, take a look at our picks below for the best Nikon lenses for nature photography needs.

Best Overall | Nikon 200-400mm f/4 ED VR II

If nature photography is more than just a hobby and you’re ready to go all in with a big investment for stellar results, the Nikon 200-400mm f/44 ED VR II is your obvious choice.

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This lens is, quite frankly, enormous, weighing nearly 7.5 lbs. and measuring over 14” in length. However, all that bulk is for good reason.

Nikon calls this lens “the ultimate super-telephoto zoom lens”, designed to be an all-purpose piece of equipment for even the most demanding nature photography assignments. With weather-sealing and rugged construction, it has been intentionally designed to withstand a variety of field conditions.

With the 200-400mm f/4 ED VR II, you’ll be able to capture breathtaking wildlife images rivaling your wildest dreams. The extended focal length range assures that you’re able to get up close and personal with skittish wild animals without scaring them away. Using a teleconverter also allows you to zoom in even more.

The focal length capacity coupled with background separation provided by the decently wide f/4 aperture (which also helps with low light shooting) means that your wildlife images will have stunning gallery clarity. It is worth mentioning here, however, that some users do note a slight edge softness at 400mm focal length.

Nikon has also designed this lens with various tech elements to help ensure clear, consistent results. The ED glass resists distortion, the Nano Crystal Coat fights against various light-related flares and the included VR technology reduces blurry images caused by increased sensitivity to handshake at extended focal lengths.

Not surprisingly, with all that it offers, the Nikon 200-400mm f/4 ED VR II comes with a hefty $6000+ price tag that rivals the bulk of its physical size, although buying refurbished or used can potentially save you $2000. At the time of publishing, even directly through Nikon, new models were out of stock, which does make us wonder if an upgrade is in the works.

Pros
-Impressive 200-400mm focal length range
-Compatible for use with a teleconverter
-Designed to meet the conditions for wildlife photography

Cons
-Very expensive
-Heavy and huge
-Probably too much lens for the casual shooter

Budget Pick | Nikon 28-300mm f/3.5-5.6G ED VR

If you’re passionate about nature photography but can’t swing the high price tag on the 200-400 mm, Nikon’s 28-300mm f/3.5-5.6G ED VR lens could be a great addition to your camera bag. This solid FX zoom lens offers versatility at a much more accessible $850 price range.

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Like our top pick, this lens includes elements like VR technology and ED glass to help produce clearer images free of distortion. On top of that, its zoom capabilities make it adaptable to a broader range of nature photography situations, including landscape, macro and some wildlife photography.

Obviously, with this lens you exchange an extra 100 mm of focal length for shorter (but also wider) framing possibilities. When used at its maximum 300mm focal length, the 28-300mm only reaches a maximum aperture of f/5.6 which inevitably affects its ability to perform in lower light conditions, limiting hand-held shooting possibilities.

Other compromises to consider with the 28-300mm f/3.5-5.6G ED VR are its more economic construction and what some users note to be a slight lack of crispness in images. Its overall construction is also not weather-sealed, although the mount is.

This is not a small lens, but, weighing in at roughly 1.75 lbs. and measuring 4.5” in length, it’s far less bulky than a longer telephoto lens would be. This makes the 28-300 an easier option to pack along in the field, because it allows you to shoot a wide variety of nature photography with one (more or less) compact piece of glass.

Pros
-Versatile zoom lens
-More compact option for use in the field
-Accessible price range for the serious nature photography enthusiast

Cons
-Maximum aperture only f/5.6 at 300 mm
-Slight lack of crispness when compared with a prime lens
-Not weather-sealed

Best for Crop Sensor Nikon Cameras | Nikon 18-300mm f/3.5-6.3G ED VR

Our previous two picks are not suitable options for shooters using DX bodies, due to being designed specifically for FX (full frame) models. Instead, for crop sensor bodies, Nikon has created the 18-300mm f/3.5-6.3G ED VR.

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In many ways, this lens compares closely to the 28-300mm FX model. Both are telephoto zoom lens offering practically the same range of focal length. This means that the 18-300mm DX model will equally be applicable to landscape, macro and some wildlife shooting, just as the FX version.

This lens also includes practically the same design elements to produce sharper images, including ED glass and VR technology. Selling for roughly $625 and weighing just a little over a pound, this lens looses even more of the bulk of our previous picks, in both price and size.

Unfortunately, the 18-300mm only offers a maximum f/6.3 aperture at 300mm, which inevitably ends up affecting low-light shooting and bokeh. That’s not to say that it can’t be used in lowlight or that you won’t have background separation.

It’s just important to be aware that you may have to make some adjustments to your shooting settings. The 18-300mm is fully capable of producing stunning images, but don’t expect to find the crispness of a prime lens when you zoom in on your photos.

That being said, the 18-300mm f/3.5-6.3G ED VR is a solid, well-loved lens. Many users mention that they end up using only the 18-300mm during entire trips because of the consistent performance, portability and adaptability to most shooting scenarios that it offers. Like our previous pick, only the mount, not the overall construction, of this lens is weather sealed.

Pros
-Versatile and reliable option for DX models
-Includes ED and VR technology to help produce clear images with less distortion
-Not overly bulky

Cons
-6.3 maximum aperture at 300mm
-Images not as crisp as produced by a prime lens
-Not weather-sealed

Best for Nikon Z Cameras | Nikon Z 70-200mm f/2.8 VR S

For those shooters using a mirrorless camera body from Nikon’s Z series, the obvious option is the Nikon Z 70-200mm f/2.8 VR S. While some of Nikon’s DSLR lenses can be used on Z series bodies with an adapter, the Z 70-200mm is a telephoto zoom lens designed specifically for Nikon Z cameras.

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Maybe one of the most outstanding features of the Z 70-200mm is the wide f/2.8 maximum aperture even at 200mm. This not only creates beautiful background separation and blur, but also allows hand-held shooting in more low light conditions.

This lens is adaptable to a wide variety of shooting scenarios, making it a great one-lens option for your landscape shooting events. It’s sealed against both dust and moisture to help it hold up in the field and boasts a short 18” minimum focusing distance, allowing you to get closer than ever when shooting macro.

Clearly, at a maximum focal length of 200mm, wildlife shots may be a bit more complicated if the animal is further away. However, thanks to the wide aperture, if getting physically closer is an option, you can usually leave the tripod behind and move in with just your camera to capture your shot.

The Z 70-200mm f/2.8 VR S is part of the S-line label reserved for Nikon’s Z series lenses. This means the lens has been designed with numerous elements focused on superior optical quality as well as with the exclusive Nano Crystal Coat used only on Nikon’s top of the line lenses to fight light reflection problems.

You can use this lens on the full-frame Z6 and Z7 series as well as the crop-sensor Z50, which made our list of the Best Mirrorless Cameras Under $1000.

Not surprisingly due to the wide aperture, this lens is on the larger side measuring 8.7” and weighing a hearty 4 lbs. However, thanks to the Z series mount design, the overall bulk of the body plus lens is more compact, which compensates at least a little for the heftiness of the lens.

Pros
-Wide f/2.8 aperture telephoto zoom lens
-Designed for optical quality and professional-level results
-Short focusing distance

Cons
-Only for Z series camera bodies
-Bulky
-Expensive ($2600)

Best for Wide Angle Landscapes | Tamron 17-35mm f/2.8-4 DI OSD

For those interested in shooting primarily landscapes, a wide-angle lens that permits you to capture as much as possible of what your naked eye sees will be a far more practical option than a telephoto lens. If macro or wildlife photography is not your passion, the Tamron 17-35 f/2.8-4 DI OSD could be the lens that you’re looking for to take your landscape photography to the next level.

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This piece of glass offers wide angle shooting in a compact, easy to transport package, designed to give you reliable results. Tamron’s 17-35mm weighs in a just over a pound and measures a mere 3.5” in length, making it easy to transport. It’s also moisture-resistant to help protect the lens elements from drops of water or rain.

It is worth noting that the maximum aperture available does drop to f/4 when zoomed into a 35mm focal length, but depending upon your shooting conditions, that may or may not affect you in the least. And thanks to the short maximum focusing distance of 11”, if you shoot at a 17mm with the maximum 2.8 aperture, it’s still possible to achieve some degree of background blur for certain macro images.

Not surprisingly, one of the most attractive features of the Tamron 17-35 f/2.8-4 DI OSD is its reasonable price point. At $600, it is a solid option that many users claim rivals or exceeds the performance of similar Nikon models. Reviews rave about the sharpness and consistent performance offered by this lens.

Pros
-Wide angle lens for landscape shooting
-More affordable price point
-Compact

Cons
-Not suitable for wildlife photography
-May produce soft images in low-light conditions due to a lack of image stabilization
-Cheaper construction

Runner Up | Tamron SP 70-200mm f/2.8 Di VC USD G2

If you’re looking for a telephoto zoom lens option lighter on both your wallet and your back, you may want to consider Tamron’s 70-200mm f/2.8 lens. Thanks to it’s wide maximum f/2.8 aperture even at 200mm, you’re guaranteed great depth of field in your wildlife shots, as well as more control over low light conditions.

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Selling for approximately $1300, this Tamron lens offers similar performance to the equivalent Nikon model and at over $1000 less. Considering all that Tamron has packed into this lens, including vibration control mechanisms and teleconverter capability, you really end up getting a lot of bang for your buck.

It is also made to hold up to the elements with moisture-proofing and a dust-resistant construction.

Obviously, this lens doesn’t reach as far as our top pick, so if you’re looking to shoot close-ups of skittish wildlife at long ranges, you may find yourself somewhat limited. On the other hand, however, it is a prime lens in a decently compact package. At 3.28 lbs. and 7.5” in length, this Tamron model is definitely more user friendly for carrying over long distances and in tight spaces.

Users continually rave about the sharpness and great low-light performance of the SP 70-200mm f/2.8 Di VC USD G2, frequently mentioning that any advantage the Nikon version may offer is so slight that it’s practically unnoticeable.

Pros
-Affordable prime telephoto zoom lens
-Comparable performance to the Nikon model
-More compact for use in the field

Cons
-Shorter reach than our top pick
-Limited use for wildlife photos
-Will crop out a decent amount of landscape photos

Features to Look for in a Nature Lens

With so many options to choose from, lens shopping can quickly become an overwhelming experience for any photographer—and a near impossible task for the indecisive shutterbug unsure of what they truly need. Thankfully, when it comes to choosing a nature lens, there are just four basic features that you need to consider.

Reach/Zoom

Overall focal length and zoom capabilities will be one of the most important features to look for when picking a nature lens. While fixed length lenses or short-range lenses are appropriate and even preferred for some other types of photography, these lenses are generally not your best options for nature shots.

Unless you are only interested in landscape shots, you’ll want to look for a telephoto zoom lens that gives you the flexibility to quickly adapt to changing photo opportunities as you find them in the field.

Depending upon if your goal is to reach very long distances you may be ready to invest in a longer reach lens that extends all the way to 400mm. But it’s also quite possible that a middle of the road option that goes up to 200mm may be ideal to let you experience a little of everything in a more compact package.

 

Weather Sealing and Ruggedness

Nature photography will expose your equipment to potential damage perhaps more than any other type of photography. From dirt to rain to bumps and drops, nature can be unforgiving to electronics. For that reason, you need a lens made to withstand the elements.

While more expensive models generally have a more durable construction and are sealed against moisture and dust, many economic models compromise both in materials and weather sealing.

That’s not to say that you have to buy a $2000+ piece of glass in order to feel safe taking it out on a hike, but the durability of the lens is an important element to consider when choosing which lens will meet your needs.

 

Weight and Size for Traveling

Perhaps one of the biggest downfalls of many telephoto zoom lenses is their bulk. Due to their focal range, aperture and rugged construction, most end up being enormous pieces of equipment that not only take up a lot of space in your camera bag. They’re also incredibly heavy to carry around for several hours.

If extreme zoom capabilities and pro-quality images are paramount for you, lugging a big lens around may be more than worth it. However, for the casual shooter or someone who doesn’t want to feel like a packhorse, a really heavy lens may end up spending more time at unused home than out in nature.

 

Affordability

Buying camera equipment is always a big investment and nowhere does that show up more than when looking for new glass. For many shooters a lens costing several thousand dollars simply is not a practical option.

Thankfully, it’s not at all necessary to buy the biggest and best telephoto zoom lens on the market in order to enjoy the satisfaction of shooting beautiful nature photography. There are many budget-friendly options available, including some of our top picks, that also perform with excellence.

Ultimately, when it comes to choosing a nature lens for your Nikon camera, it’s all about recognizing what features are important to you in a lens, thinking about your photography goals and deciding what compromises you’ll be willing to make to find the best piece of glass for you.

Environmental portraits depict the subject in a familiar environment. This does two things that are both very good for portrait photography. One, the setting puts the subjects at ease. Two, the image tells a story.

Putting the subject at ease results in a more relaxed subject, so you can better capture their story in your images.

Choosing the best lens for environmental portraiture will put you, the photographer, more at ease. That way, the entire process can be relaxed, allowing your creativity and good technique to take control.

We examined some options for the best lens for environmental portraits for the various digital cameras.

Best Overall | Sigma 35mm f/1.4 Art DG HSM

We are listing this lens as best overall for full frame format cameras. It is also a fantastic choice for APS-C format cameras despite the crop factor. It is available in mounts for Canon, Nikon, and Sony.

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A very fast slightly wide-angle lens, the 35mm focal length is good for a natural view of the subject that shows a little more of their environment than the Nifty Fifty normal lens or short telephoto. Since it’s not very wide-angle, there won’t be extremes of apparent perspective when shot at medium subject distances.

It’s a lens length that some photographers prefer as their own normal lens instead of 50mm. The fast aperture means that you can use in lower light levels and you can use selective focus techniques.

Being able to shoot at reasonable shutter speeds in lower light is beneficial for environmental portraits. Sometimes it’s difficult to introduce any artificial lighting into the scene. Being able to open up the aperture gives you more options for shutter speeds. So subject motion can be tamed as well as providing shutter speeds you can comfortably hand hold.

Sigma Art lenses are designed to be professional level optics. This lens delivers on that end. It is very sharp and maintains sharpness edge to edge wide open, improving as you stop down a couple of f-stops. Since the maximum aperture is a fast f/1.4, stopping down to the sweet spot still keeps the aperture pretty wide. All of this is good news for environmental portraits.

Physically, the lens is on the large size and a little heavy, but that’s part of the price of using fast primes. The monetary price is actually quite reasonable compared to similar lenses from other brands.

If you are using an APS-C format camera, all the sharpness still applies, but it will not give you the same wide angle field of view due to crop factor. It will be in the normal focal length category. Used on a full frame format camera, this is our choice as best overall.

Budget Option | 50mm f/1.8

Significantly less expensive than the Sigma 35mm f/1.4 Art lens is the 50mm standard lens for full-frame format. The photo above is the Canon EOS DSLR version, but a similar lens exists in each brand’s catalog. They all have two things in common, low price and great image quality.

Click below to compare prices and check availability for your camera type…

In the full-frame format, 50mm is considered a normal lens. It gives pretty much a 1:1 representation on film as we see with our naked eye. A complete explanation of the Nifty Fifty as “normal” considers all the various aspects and factors involved, but for now we will just say 50 is normal on full-frame.

If mounted on a crop sensor camera, the 50mm focal length will be short telephoto. Good for regular portrait use but not generally ideal for environmental portraits.

A maximum aperture of f/1.8 is fast enough for most lower light situations and gives good control over selective focus. Not as fast as f/1.4 or f/1.2, but the difference is less than one full stop. 

For a lot of environmental portrait work, the standard lens may not be quite wide enough to take in the full length of the person or much of their surroundings. You may need to adjust your camera placement to compensate.

Within the limitations discussed, this lens is the best budget option for environmental portraits. While it isn’t quite wide enough to make it best overall, the fast aperture and very affordable price make it a fantastic option to consider.    

Best Zoom | Tamron 24-70 f/2.8

While prime lenses are preferred by many photographers, professional level zoom lenses have versatile features making us very adaptable for portrait jobs. Professional caliber zoom lenses are also very sharp and many of them have fast maximum apertures.

Click below to compare prices and check availability for your camera type…

Tamron 24-70mm f/2.8 lens is a high-quality lens with sharpness that rivals lenses from the camera brands. This particular lens also adds in the image stabilization function, silent super fast focus motor, and ultra-close focusing.

The version I’m talking about here is available for full-frame Canon EOS cameras and Nikon FX-format f-mount cameras. The Sony version is slightly different at 28-75mm f/2.8 but is about $400 less expensive.

A zoom lens in the wide through normal to short telephoto range is an awesome choice for an all-around lens. A high-quality version like the Tamron with a very fast for a zoom aperture of f/2.8 gives you even more options since you can open up wide for selective focus and not have to worry about too much loss of sharpness.

It’s a heavy lens, but it balances nicely on the prosumer and enthusiast models of full-frame cameras. The balance is aided by the excellent vibration control built into the lens, allowing you to handhold it for quickly changing conditions common in environmental portrait work.

The versatility of having that large zoom range is a benefit for environmental portraits, too. You can take in an entire room or area, then a full length portrait with some surroundings, and also   a head and shoulders portrait all without affecting the flow of the photo shoot.

The maximum aperture of f/2.8 is two full stops slower than the f/1.4 Sigma Art lens above, but it’s still very fast compared to the average kit lens many cameras come with. Those kit lenses are two to three stops slower than this lens, though they may be very sharp themselves.

If you are a photographer that prefers zoom lenses, this lens offers sharpness, fast aperture, and robust construction that put it into a higher category, a good choice for environmental portraits.

Runner Up | Sigma 24mm f/1.4 Art

As a runner up lens for environmental portraits, the 24mm focal length is a very usable focal length and with a fast aperture like f/1.4, you can capture images in low light and use shallow depth of field tricks.

Click below to compare prices and check availability for your camera type…

Canon Mount

A wide-angle lens isn’t usually the first choice that pops into the mind of a photographer when considering portraits, but wide works great for environmental portraits. That’s because you want to be able to include surroundings along with the subject.

When using a very wide lens, you can feature the setting and relegate the person to be almost a secondary subject.

This lens is a little on the big and heavy side for a wide prime, but that’s really pretty normal for ultra fast aperture lenses. It balances well on the full frame camera bodies and on pro level APS-C format cameras. When crop factor is figured in, this lens behaves similarly on a crop format body as the Sigma 35mm listed best overall.

An aspect of this lens that made it a good portrait is the out of focus bokeh it produces. Just because it’s wide angle doesn’t mean you can’t separate subject from background. At f/1.4, you certainly can. Even in environmental portraits, you won’t always want everything in focus.

Used wide open, there is a little bit of edge fall off in both sharpness and light transmission. Stopped down just 2 or f-stops that all evens out. The lens is very sharp and has nice contrast.

Canon Crop Sensor | Canon 24mm f/2.8 STM

For photographers using the crop factor format cameras, we have several fine options for a lens to use in  environmental portraiture.

The Canon APS-C format camera have a crop factor compared to full frame format of 1.6X. That means that lens will deliver a field of view on APS-C similar to 38mm on full frame. That’s a good focal length for environmental portraits.

This lens is extremely compact, yet still has some heft due to robust construction. It’s small but rugged and quite sharp.

Click below to compare prices and check availability…

The maximum aperture of f/2.8 (compared to the f/1.4 of the Sigma above) allows the lens to be quite small but also limits users in lower light situations and limits shallow depth of field techniques.

Since the crop format cameras can be nicely compact, pairing this small lens with one makes for a very nice street portrait camera rig, too. It really is small, with only about half the profile of the normal lens.

Nikon Crop Sensor | 10-20mm f/4.5-5.6

Nikon crop format cameras have a crop factor of 1.5X, making this lens’s range variable from extremely wide angle to moderate wide angle. Despite the slow maximum aperture, this lens is usable in a variety of lighting conditions.

Click below to compare prices and check availability…

In order to tell a story of who or what the portrait subject is, including lots of surrounding scene elements is one of the  techniques for creating good environmental portrait images. This lens delivers that very well.

The slower maximum aperture will require some creativity under challenging lighting situations, but it also allows the lens for very compact and lightweight, making it a great choice for APS-C photographers engaging in environmental portraiture.

Micro Four Thirds | Panasonic Lumix G Vario 7-14mm f/4 ASPH

Micro Four Thirds (MFT) format cameras have a crop factor of 2.0X, making this an ultra wide to moderately wide range zoom lens. It is professional caliber zoom lens and works well with all types of MFT cameras from pro level and enthusiast to entry level.

Click below to compare prices and check availability…

The maximum aperture is moderate, but it stays consistent throughout the zoom range. In addition to environmental portraits, this lens is extremely versatile for any type of video recording.

Though fairly large and heavy on the compact MFT cameras, this lens balances well and is easy to operate.

What to consider when buying a lens for environmental portraits

What makes a lens usable for environmental portraits is different from standard head and shoulders or headshot portrait work.

Focal Length

You want the lens to be wider in order to capture the environment around the main subject, but not too wide as to introduce perspective distortions. Even moderate wide angles cause some facial distortion when used up close.

But for environmental portraits, you won’t be up close. You’ll be removed back far enough to include surroundings while still being able to concentrate attention on the main subject, the person.

Wide Aperture

As with most portrait work, a good practice is to separate the subject from the background by means of controlling the depth of focus. A wide aperture is part of the formula which allows you to accomplish that.

Having a fast maximum also means that the sweet spot will be at a wider aperture than with slower lenses, giving you a wider range of options for choosing how to portray your subject within their environment.

Fast lenses also give you more options for exposure control and maintaining faster shutter speeds to capture images in lower light or to keep subject motion blur from degrading the portrait images.

High Optical Quality

Sometimes you may not need or want the ultimate in sharpness for certain portrait tricks. But you can always use filters of post-processing to soften images.

You can’t create sharpness with filters or programs, though, so you want your lens choice to be sharp and have good contrast and other optical characteristics.

All of these factors come together to let you make high quality environmental portraits.

You won’t find any Nikon, Canon, or Sony flashes on this list but you will find the best off-camera flash for any of those systems.

So stay away from the flash gear from big-name brands. They’re over-priced and you can get more flashes for the same price.

Having more than one off-camera flash will have a much more positive impact on the quality of your images than a single expensive (Nikon, Canon, or even Profoto) flash.

So depending on what your goals are with flash photography, here are some recommended kit setups at three different price ranges…

• Beginner/Budget-Friendly Off-Camera Flash Kit
• Intermediate Kit
• Advanced/Pro-Level Additions

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Budget-Friendly Flash Kit (For Beginners)

You don’t need to break the bank to create awesome flash photography. If you’re just getting started and the budget is a real concern, then this kit will be perfect for you.

Start with one flash, one stand, and the trigger and work your way up from there.

Kit List (Total Cost Under $400)

• Godox TT600 Flashes (x2)
• Godox X2T Trigger
• Light Stands & Shoot Through Umbrella Kit
• Color Correction Gel Kit
• Reflector

	Click To Compare Prices
Godox TT600
Godox XT2 Trigger	See below for camera-specific triggers
Light Stands & Shoot Through Umbrellas
Color Correction Gels
5-in-1 Reflector

Even though this is a relatively inexpensive kit, you can create impressive images with this kit for a long time…and easily add better components over time.

I recommend the Godox system for a few reasons…

The “entry-level” Godox flashes are very affordable, but they’re also relatively high powered, high-quality flashes that can be used for a wide variety of shots.

More importantly…all of the Godox flashes work together and be controlled by one remote trigger.

That means that the $70 flash you buy to start out with can be easily combined with an $800 studio strobe you save up for down the road and they will all work from the same trigger.

So your upgrades will never make your old gear obsolete or require some crazy workaround to get them all to play nice together.

You can also find the exact same products at Adorama under the Flashpoint name. It’s the exact same stuff as Godox from the exact same company. For your convenience, links to Amazon and Adorama are both included here.

So let’s get started…

Flash | Godox TT600

This is a very cost-effective, but still good quality, flash. The TT600 is Godox’s entry-level flash. It’s affordable, works great, and works seamlessly with almost all of their higher-end models.

Click below to compare prices and check availability…

It is a manual flash, which means you need to set the flash power yourself rather than let the camera choose (which is called TTL).

But having a manual only flash isn’t a bad thing because (1) using a manual flash is a great way to learn to use flash and (2) auto mode (often called TTL, or “through the lens”) doesn’t give you a lot of control and can be very difficult to use with multiple flashes.

If you are looking for the best beginner entry point into flash photography, pick up one of these and a remote trigger (more on that below). That’s all you need to start learning and creating high-quality flash portraits.

The TT600 has a radio receiver built in so you can use it off camera with the trigger below OR use it on camera to control other Godox units.

NOTE: Since these are manual flashes, they work with any camera that uses a hot shoe. Sales listings may say specific brands, but that is most likely a result of sellers that don’t know any better. Only TTL flashes and triggers are brand specific. These are manual.

It has a faster recycle time and can produce more flashes on a single charge. But it’s more than twice the price of the TT600, which is why I recommend starting with the TT600 and getting two (2) of them.

There is also an upgraded version of this flash available (V850II) that uses a Li-ion battery instead of AA batteries.

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Remote Trigger | Godox XT2 Transmitter

The XT2 is one of the primary radio controllers in the Godox system. The XT2 controls just about every Godox flash worth owning. It’s simple, easy to control, and compact enough that it adds very little weight or size to your camera.

IMPORTANT: When buying a trigger (or a flash with a built-in transmitter) you need to make sure to get the version that matches your camera system.

Click below to compare prices and check availability (be sure to choose the right version for your camera)…

Canon Version

Nikon Version

Sony Version

It’s very common for portrait photographers to use only a controller like this on their camera (rather than a flash) and have all the flashes off-camera.

You can also use the flash above to control other flashes, but the simplest way to use off-camera flash is to grab one of these controllers and one flash.

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Modifiers | Light Stand and Shoot Through Umbrella Kit

When you’re using your flash off the camera, you need something to put it on and modifiers to give you some more control over the light.

Click below to check price and availability…

While it’s not the best, this kit is a very affordable way to get started with off-camera flash. As long as you aren’t shooting in any harsh conditions, this will get you started and you can upgrade as your skills improve.

These aren’t kind of umbrellas you take outside when it’s raining (although you could in a pinch).

Shoot through umbrellas are as basic as it gets when it comes to lighting modifiers. They are simple to set up, very inexpensive, and do a great job creating soft light.

There are some limitations to umbrellas. They are difficult to use outside because they catch the wind very easily. Although they soften the light very well, they have a very wide spread of light which makes it difficult to control where the light hits.

But you can always add more advanced modifiers later…umbrellas are perfect for getting started.

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Color Correction Gels | Rogue Flash Gels

Color correction gels may seem like an advanced piece of gear, but they are essential if you want your photos to look natural. The added benefit is that you can also use them creatively for some really cool effects.

Click below to check price and availability…

You can often find deals online where gels are included for free when you buy a flash. But if you need to buy them separately, these Rogue Flash Gels are a great and affordable option.

These flash gels give you every color you need for basic color correction and creative effects as well. The bands included will let you easily attach them directly to the flash.

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5-in1 Reflector

A reflector is a low cost but extremely versatile piece of gear that every photographer should have.

Click below to compare prices and check availability…

If you do a lot of natural light photography, you might even already have one of these in the bag.

In addition to controlling and directing any natural light in the scene, you can also use a reflector like this on the opposite side of a flash to fill in and soften shadows.

The one below easily folds up to make it compact and easy to keep with you.

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Sand Bags

Sand bags are a small but very necessary part of the flash kit. You fill them with sand or other heavy material and use them to weight down the stands so they don’t fall over.

So be safe and get some sand bags. Here’s where you can pick some up…

Click below to compare prices and check availability…

Intermediate Kit (Turn Up The Power and Control)

This kit adds to the previous kit with flashes that have more power and modifiers that will give you more control.

This list is for the photographer that has some experience with flash photography and is looking to level up their flash game. The kit here is enough to get professional-looking results and easily handle paid client work.

KIt List (Total Cost Under $900)

• Everything in the beginner kit, PLUS…
• 2 Godox AD200
• 36” Octobox
• Air Cushioned Light Stand(s)

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Godox AD200
36″ Octobox
Godox S2 Flash Bracket
Air-Cushioned Light Stands

Portable Strobe | Godox AD200

The AD200 is a pretty impressive little device. It is part speedlight and part studio strobe. It packs a lot of power in a small package.

It is fairly unique in the world of flash photography. For those of you that shoot on location, it is a great way to get the power and sync speed of a studio strobe without the bulk of heavier lights.

Click below to compare prices and check availability…

Keep in mind that you cannot attach these to the camera hot shoe, so you need to have a trigger to fire them like the one I mentioned above.

You also need some way to attach them to your light stand. I use the Godox S2 brackets that will let you attach these lights and a modifier to a light stand or even have them handheld if necessary.

Click below to compare prices and check availability…

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Octabox | Glow 36″ Octobox

Starting with a shoot-through umbrella as your first modifier is great because it spreads the light very well and is easy to use. However, as your skills improve, you’ll want to have more control.

Click below to compare prices and check availability…

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Air-Cushioned Light Stand

Like tripods, flash stands are always going to be a balance between cost and durability.

Air-cushioned stands are a must when you have expensive equipment on them. When you loosen them, they won’t slam down fast. That little feature can save your flash and your fingers! Don’t get a stand without air cusioning.

You also want a light stand that can handle some heavier modifiers like the octoboxes described above.

Click below to compare prices and check availability…

Professional Additions

If you’re already a professional, then you probably already have a good kit.

So this last section is less of a full kit and more a list of recommendations for anything that wants to take their flash photography to the next level with some key additions to the kits above.

Just remember that you don’t need to take a second mortgage on your home just to get the pro-level flash gear that everyone else says you need. I would recommend saving money and sticking with the powerful but affordable Godox system. These options are reliable, high quality, and will get the job done for most pros.

Quick Note: Neither I nor Photography Goals is sponsored by any manufacturer. We do get a small commission when you buy using the links here. So we could make more money recommending the more expensive flash gear out there. But that’s not how we do things here. I recommend the Godox system because it has everything that 99% of photographers need at a relatively affordable cost.

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Godox AD600 Pro
C-stand
Strip Softboxes

Godox AD600 Pro/Flashpoint XPLOR 600 Pro

The AD600 Pro is a high powered but portable flash that you can use in studio as well as on location for a variety of shoots. It has all the power and features to compete with high-end flashes that often sell for 3 times the price.

Click below to compare prices and check availability…

It is powerful enough to overpower the sun in many instances which is incredibly useful for outdoor portraits and gives you total control over the exposure of your subject and the background.

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C-Stands

C-stands (short for century stands) are the next level up when it comes to light stands (and they can hold a lot more than lights too).

Click below to compare prices and check availability…

These are heavy-duty, very strong, stands that can handle large lights and modifiers as well as allow you to hang them off to the side of the stand (using the boom arm) for more flexibility in placement.

One thing you should keep in mind though…

These things are heavy. So if you don’t have people helping you, they aren’t always ideal for shooting on location if you are moving around a lot.

They are more suited for a studio setup.

That being said, plenty of photographers out there bring them on location as well. You just have to be prepared to carry them (or hire an assistant!).

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Strip Boxes

A strip box is more of a specialty modifier that is tall and narrow. They come in different sizes and height/width ratios. A good size to start with is this 16″ x 48″ softbox shown below.

The most common use for a strip box is to add rim or side lighting to a subject. The height helps you cover more of the person from head to toe if you are shooting a full-body portrait.

Click below to compare prices and check availability…

Nikon’s new mirrorless cameras are exciting for those of us that love landscape photography.

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	Important Specs	Click To Compare Pricing
Best Overall 14-30mm f/4 S	Aperture: f/4 to f/22 Weight: 485g 82mm filter thread Min. Focus Distance: 0.28 m/0.92 ft Angle Of View: FX format: 114° – 72° | DX format: 90° – 50°
Budget Pick 24-70mm f/4 S	Aperture: f/4 to f/22 Weight: 500g 72mm filter thread Min. Focus Distance: 0.3 m/0.99 ft Angle Of View: FX format: 84° – 34°20′ | DX format: 61° – 22°50′
Most Versatile 24-70mm f/2.8 S	Aperture: f/2.8 to f/22 Weight: 805g 82mm filter thread Min. Focus Distance: 0.38 m/1.25 ft Angle Of View: FX format: 84° – 34°20′ | DX format: 61° – 22°50′
Best For Nighttime Shooting 20mm f/1.8 S	Aperture: f/1.8 to f/16 Weight: 505g 77mm filter thread Min. Focus Distance: 0.20 m/0.66 ft Angle Of View: FX format: 94° | DX format: 70°

Whether you prefer the versatility and dynamic range of the Z6 or the 42 megapixels of the Z7, either one will help you create epic landscape images.

If you are using a Nikon DSLR then check out our list of the best landscape lenses for Nikon.

I took a look at Nikon’s entire lens lineup and although it is still a little limited, they have some great options for your next landscape shoot. Plus keep in mind that they are adding new Z lenses on a pretty regular basis now.

All these lenses also work on the less expensive crop-sensor Z50 which made our list of the Best Mirrorless Cameras Under $1000.

Best Overall | 14-30mm f/4 S

If you focus your photography mostly on landscapes then the 14-30mm f/4 is where you should start.

14-30mm is a great range for landscape photography and the impeccable image quality combines with a relatively lightweight and compact package that makes it easy to take on your landscape photography adventures.

Click below to compare prices and check availability…

Specs

• Aperture Range: f/4 to f/22
• Weight: 485g
• 82mm filter thread
• Minimum Focus Distance: 0.28 m/0.92 ft
• Angle Of View: FX format: 114° – 72° | DX format: 90° – 50°

On a full-frame camera like the Nikon Z6 or Z7 14mm will give you that classic ultra-wide landscape photography look and 30mm is enough of a range to still narrow in on somewhat smaller scenes when you want to do so.

But what really makes this lens exciting is that it is a 14mm lens that you can use lens filters on. If you shoot a lot of landscape photography then you know how important filters are to creating high quality landscape photos.

This lens uses an 82mm filter thread which is among the more common thread sizes for full frame lenses which means you may already have filters that work with this lens.

The area where this lens falls short of some other similar lenses is with the f/4 maximum aperture.

You can find some ultra-wide zooms in this same range with an f/2.8 max aperture. However, these lenses aren’t capable of having regular filters screwed onto the front. You need specially designed (and expensive) filter systems for these types of lenses.

In addition, most of the time when shooting landscape photography, you’ll be using smaller apertures like f/8 to f/12 anyway. So the lack of that f/2.8 maximum aperture is unlikely to become an issue unless you shoot a lot of night photography.

I think that the ease of use with filters and portability more than makes up for the lack of an f/2.8 maximum aperture. You can always add a lens like the 20mm f/1.8 later on to use specifically for night landscapes.

Budget Pick | 24-70mm f/4 S

Until the third-party lens makers like Tamron or Sigma start making Nikon Z Mount lenses, you really aren’t going to find too many budget-friendly options. However, compared to some of the other, the 24-70mm f/4 slightly less expensive.

Click below to compare prices and check availability…

Specs

• Aperture Range: f/4 to f/22
• Weight: 500g
• 72mm filter thread
• Minimum Focus Distance: 0.3 m/0.99 ft
• Angle Of View: FX format: 84° – 34°20′ | DX format: 61° – 22°50′

The 24-70mm f/4 Z-mount less is basically a smaller, less expensive version of the f/2.8 version below.

24-70mm is a great range for landscape photography.

While it is not as wide as the 14-30mm above, 24mm on a full frame camera is still pretty wide and works great for landscapes.

While you may be giving up 10mm on the wide end, you gain 40mm on the long end compared to the 14-30mm. This is great if you also like to shoot family photos, street photography, or portraits.

Compared to the f/2.8 version below, you’ll save over $1000 with this lens.

Like I mentioned above, you won’t often find yourself using the maximum aperture very often when shooting landscapes.

Even if you want to shoot low light landscapes like night photography or astrophotography, the Nikon Z6 and Z7 handles low light very well. So you’ll see less need for the 2.8 max aperture even when shooting that kind of shot.

Unless you are using the camera to make money, it’s hard to justify the cost difference between the f/4 and the f/2.8, especially since there is very little noticable difference in image quality.

These are the reasons that our top pick and our favorite budget pic are both f/4 lenses.

Most Versatile | 24-70mm f/2.8 S

If you want a lens that can handle landscape photography and a wide variety of other photography situations, then the 24-70mm f/2.8 can do it all. But that does come at a price.

The 24-70mm f/2.8 is the middle component of what professional photographers call the “trinity” of lenses consisting of a wide angle zoom, mid-range zoom, and a telephoto zoom.

Click below to compare prices and check availability…

Specs

• Aperture Range: f/2.8 to f/22
• Weight: 805g
• 82mm filter thread
• Minimum Focus Distance: 0.38 m/1.25 ft
• Angle Of View: FX format: 84° – 34°20′ | DX format: 61° – 22°50′

Being the mid-range zoom, the 24-70mm can handle many different situations. The 24mm end is ideal for landscape images.

Another added benefit of this lens is the maximum f/2.8 aperture. This is also what makes it so expensive.

The constant f/2.8 aperture will allow you to blur the background quite effectively at all the focal lengths. Most of the time you will find yourself shooting landscapes at smaller apertures like f/8 to f/12 to ensure more of the scene is in focus, but there are situations where the f/2.8 comes in handy, even for landscape photograpahy.

You may want to isolate focus on a compelling foreground element like a flower and blur out the background. You will also find the f/2.8 aperture very helpful if you want to try shooting astrophotography.

Although, if you want to do a lot of astro photos, check out the next lens below…

Best For Nighttime Shooting | 20mm f/1.8 S

The sensor quality in the Nikon Z6 and Z7 are perfect for shooting night landscapes and astrophotography. Pair them with the 20mm f/1.8 and you’ll have one of the best night photography combinations around.

Click below to compare prices and check availability…

Specs

• Aperture Range: f/1.8 to f/16
• Weight: 505g
• 77mm filter thread
• Minimum Focus Distance: 0.20 m/0.66 ft
• Angle Of View: FX format: 94° | DX format: 70°

When you are shooting at night, having a wide maximum aperture is much more important than the versatility of a zoom lens. That is the main reason I’m recommending the 20mm f/1.8 for night photography but not the only one.

It also handles coma very well. Coma is when small points of light get stretched out in the corners

Why the Nikon Z system is great for landscape photography

To start with, Nikon cameras in general are known for their image quality, durability, weather sealing, and ergonomics. When you are out in nature, those last three things are of the utmost importance.

The current full frame Nikon Z cameras (Z6, Z7, and the new Z5) all are very well built with great ergonomics and durability.

When it comes to image quality, the Z5/6 and the Z7 use different sensors, but they are both exceptional. The Z7 is more popular among landscape photographers because of the 42-megapixel sensor. The Z6 has fewer megapixels at 24.5, but that means better low light performance and easier to handle files (By most accounts, the new Z5 will have a similar or same sensor as the Z6).

Capturing stunning headshots of loved ones is usually at the top of every new photographer’s list. It can also become a profitable side business if you become skilled at it.

But, as you may have come to realize, you’re going to need to invest in an upgrade from your kit lens if you want to achieve truly great results.

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Best Overall Canon EF 85mm f/1.4
Budget Pick Canon 50mm f/1.8
Most Versatile Tamron 24-70 f/2.8
Runner-Up Sigma 50mm f/1.4 Art
Runner-Up Canon 85mm f/1.8

Unfortunately, the hard part, especially for new photographers, isn’t realizing that you need more gear. It’s knowing which of the thousands of lenses available is most suitable for your portrait photography needs.

Here, to help you start expanding your lens collection to attain the results you want, we give you a breakdown of our picks for the top 5 Canon Lenses for Headshots, including the pros and cons of each option.

Best Overall | Canon EF 85mm f/1.4

This lens is the best of the best in portrait photography for Canon users. Part of Canon’s professional-grade L-series line, it’s a premium lens at a premium price that will produce superior results.

Click below to compare prices and check availability…

Designed specifically for what Canon calls “creative portrait photography”, the 85 mm f/1.4 comes with practically everything a headshot photographer could want. For starters, it has a wide f/1.4 maximum aperture, which makes it possible to achieve a soft background with shallow depth of field. The wide aperture also helps make the most of what’s available when lighting conditions are not ideal.

On top of that, this is a medium telephoto lens fixed at 85mm, the perfect focal length for capturing flattering images of your subjects without feature distortion even at short distances.

Additionally, Canon has packed the 85 mm f/1.4 with various features to help your images turn out perfectly. It has IS (image stabilization) technology to help produce continuously clear images, even while handholding your camera in certain low light conditions. This means you now can leave behind the constraints of the tripod even more often. This turns out to be is particularly useful when shooting in close spaces and capturing fine details.

Close-up images are also possible due to the lens’s shortish 33.5” minimum focusing distance.

Other stand-out features of this lens are the high-speed AF system to help you not miss a single moment and the molded glass (GMo) aspherical lens coated with Canon’s exclusive anti-flare coating (ASC) to help create images free of distortion, vignetting and lens flare.

It is worth noting that the IS motor when activated can tend to produce a slight rattle, but this does not seem to affect performance or image quality. The consensus among users seems to be that the light noise produced is a worthwhile trade for the sharp images IS helps to produce.

Click below to compare prices and check availability…

Budget Pick | Canon 50mm f/1.8

When first beginning to expand your lens collection, you may be quite shocked by the high cost of most prime lenses. If you find the 85 mm f/1.4 out of your price range,

Click below to compare prices and check availability…

Canon still has you covered with another much more affordable lens option that will also produce beautiful images. The 50 mm f/1.8 is a small, lightweight lens that still gives you the benefits of a wide aperture for around only $100. With this lens, you can achieve soft backgrounds and shoot in low-light without having to break the bank.

At 50 mm focal length, it’s a wider-angle lens than the 85 mm, but still allows you to frame great portraits. If your camera has a crop sensor rather than full frame, the focal length actually becomes 80mm. While that doesn’t make the lens produce true 85mm results, it does mean that on a crop sensor camera body, you’ll be getting even tighter images, which can be useful with headshots.

The 50 mm f/1.8 also has a very short minimum focal distance of 1.15 ft to allow you to shoot very close-up in tight spaces. This makes it excellent for detail shots, whether you’re homing in on a pair of beautiful blue eyes or the intricacies of a dainty flower.

 To combat lens flare issues, Canon has redesigned the lens arrangement in the 50 mm and included improved coatings. The newest version of this lens also has a gear-type STM motor which gives you the benefit of very quiet operation, decreased aberrations and seamless video recording.

Canon users of all levels seem to be consistently pleased with this lens, sometimes affectionately known as the “nifty-fifty”, citing its wide application to a variety of photography contexts and clear image quality as some of its best features.

Not surprisingly considering the price, this lens does not include extra tricks like IS technology. This results in less predictable hand-held results at slow shutter speeds, but depending on your shooting style, that may or may not affect you in the least.

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Most Versatile | Tamron 24-70 f/2.8

If investing in a fixed focal lens feels a bit too restraining and you want a more versatile option, you may want to consider the Tamron 24-70 f/2.8. This lens has the freedom of a zoom lens that makes it more applicable to a wider variety of situations, but still reaches ranges suitable for producing good headshots.

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Additionally, it has a 2.8 maximum aperture. Although this is not the widest aperture available, at f/2.8, this lens is able to open wider than most common zoom lenses. This gives you more control over low-lighting and the possibility of achieving softer backgrounds than is possible with your typical zoom lens, but obviously not quite as much as with the other wider maximum aperture options on our list.

That detail aside, the Tamron 24-70 is a lens more than capable of producing great quality images. It includes Tamron’s eBAND Coating to control lens flares, as well a Flourine Coating and Moisture-Resistant Construction to repel water and debris.

Tamron also designed this lens with more precise and faster autofocus to create sharp crystal-clear images. On top of that, the 24-70 comes with Tamron’s highly rated Vibration Compensation system, which makes it possible to capture hand-held shots even when lighting is not the best.

Although Canon also makes a 24-70 lens, many users tend to prefer the Tamron for practicality, because the Canon version unfortunately doesn’t include any type of image stabilization technology. As a result, the Tamron 24-70 tends to produce more reliable results in lowlight scenarios.

It should be mentioned however, that the Tamron is a few ounces heavier than its Canon counterpart and some users find its reverse focusing ring to be a bit cumbersome when using manual focus.

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Runner Up | Sigma 50mm f/1.4 Art

If the 85 mm focal length feels a little too tight for you, but you still want the benefits offered by a fixed focal length lens with an extra-large aperture, the Sigma 50 mm f/1.4 Art lens may be the option you’re looking for.

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This lens can handle various types of shooting, which means that you’ll be grabbing it for more than just headshots. For example, due to its wider focal length, it still adapts to landscape shooting nicely. On top of that a minimum focus distance falling just under 16 inches makes it possible for you to also use this lens for close-up photography.

Sigma has designed this lens to provide consistent, seamless performance and to be compatible with even professional grade Canon camera bodies. Among the most outstanding features of the Sigma 50 mm f/1.8 is its Hyper Sonic Motor for near silent performance and precise autofocusing.

Additionally, it is constructed with 13 elements in 8 groups to provide consistent performance at wide apertures and Special Low Dispersion Glass and a Super Multi-Layer coating to help produce high quality results free of flares, distortion and vignetting. As part of the Sigma’s ART line, this lens boasts the ability to produce super sharp images with clear separation between subject and background.

Some users do note that in order to achieve the highest-level results with this lens, you might end up having to have to buy the USB dock sold separately to help fine-tune the autofocus.

As you might expect, this is a somewhat time-consuming, tedious process, but thankfully, most users report being able to achieve pristine images right out of the box, even at wider aperture settings.

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Runner Up | Canon 85mm f/1.8

Another excellent option from Canon is the 85 mm f/1.8. This lens offers the much sought after 85 mm focal length considered optimal for portraits, but with a bit smaller maximum aperture than the 85 mm f/1.4 and a lower price tag.

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While we wouldn’t go so far as to say that this difference produces insignificant results, the fact is that even at f/1.8, you will be able to achieve very nice, professional-grade images with quality background blur.

The best part is that the 1.8 is much more affordable than our top pick, the 1.4, great news if you are a new photographer or just have a smaller budget.

The minimum focusing distance with this 85mm at 2.8 feet is longer than offered by some of the wider options on this list, affecting its versatility for more general shooting functions. Its best use is for focusing on a specific subject with clear depth of field, which makes it perfect for beautiful headshots and other types of close-up photography.

This lens is designed to be practical, affordable, and consistent. It lacks some of the features like IS technology that the 1.4 has but is still a solid lens designed to produce quality images. For photographers looking for a dedicated portrait lens, we recommend one of Canon’s 85mm options, and the 1.8 is a great choice at a fraction of the price of the 1.4.

Users who buy this lens realizing that it is purposely not wide-angle nor is it made to be used for every shooting situation are highly pleased with their investment and the results it produces.

Although the 1.4 certainly has some advantages for handheld shooting in low light, Canon’s 1.8 is more than capable of producing stunning, professional-quality images.

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What to look for in a Headshot Lens

Wide aperture

Even people who know nothing about photography find themselves impressed by the “blurry background” in a well-crafted headshot. This is the result of what photographers call shallow depth of field and is made possible by wide open apertures.

A wide aperture causes your camera to focus on the subject a determined distance from the sensor and all other elements that out of that range are left progressively more out of focus.

For that reason, portrait photographers usually choose a lens with the widest aperture they can afford. The minimum acceptable aperture would be f/2.8, but if you can swing a f/1.8 or a f/1.4, you won’t regret it.

Focal length

Part of what distinguishes a “good” headshot photographer from just a common shutterbug, it the ability to capture flattering angles of your subjects. While undoubtedly, this is related to having a good eye for framing images, it is also closely related to using the proper focal length.

A focal length of 85mm is considered gold-standard for portraits, because it provides the correct distance between the subject and the camera sensor to create images that are flattering to the human eye. Said simply, people look prettier when shot at an 85mm focal length, more or less.

That being said, starting at 50mm up to 85mm, you are well within a desirable portrait range where the proportions of the human face in your images will be most similar to what you see with your naked eye.

Price

Prime lenses are a huge investment for photographers, with most nearing or surpassing the $1000 mark.

If you are firmly invested in your photography journey and price is not a problem for you, obviously don’t hesitate to buy the lens that seems to best fit your particular needs.

However, if photography is more a weekend hobby or if you’re just getting started, don’t feel like you need to break the bank in order to be able to take quality headshots. A more economic option that compromises a few features can still be a great addition to your camera bag.

Speaking from personal experience, a budget-conscious nifty-fifty lens can be a great introduction to prime lens photography. Just don’t be surprised if it whets your appetite for more elaborate lenses later on.

Why Upgrade Your Lens For Headshot Photography?

When you made the big decision to upgrade from your phone camera to a DSLR, you likely envisioned yourself finally being able to capture those beautiful close-ups of your daughter’s freckled face or your furry friend’s sweet puppy dog eyes.

However, it probably didn’t take long for you to notice that the kit lens that may have come in the box with your camera just wasn’t cutting it to get that dreamy soft background and those crystal-clear details that you hoped for when it comes to headshots. And that’s for good reason.

Kit lens are designed to give you a multipurpose introduction to the world of SLR photography at an accessible price. While they aspire to let you do a little bit of everything, they aren’t exactly the ideal tool for more professional-level results.

Nowhere is this more evident than in the case of close-up portrait photography, because, in order to produce beautiful headshots, you need a lens that offers you two things that the kit lens does not have—a wide aperture and an appropriate focal length. The first gives you that beautiful soft background that makes your subject pop and the other makes it possible to find close angles of the subject without causing gross distortions of their features.  

The lenses that made our list take those things into account, along with including other bells and whistles to help you produce the most stunning results possible.

Without a doubt Canon’s 85mm options are the standard options for professional headshots. They have both the focal length and the depth of field necessary to achieve consistently beautiful images. For that reason, they were awarded the winner and runner-up slots in our list.

However, for those photographers who want more practicality, the Sigma and Canon 50 mm options are also capable of producing quality portraits and adapt to more types of shooting. Sigma’s 50 mm f/1.4 gives you wide aperture at a more versatile 50 mm focal length, making it also a runner-up option. On the other hand, Canon’s 50 mm f/1.8 clocks in at around $100, making it hands-down the best budget option on the market for headshots.

And finally, Tamron’s 24-70 f/2.8 wins most versatile for its wide adaptability. This is a lens that you can keep on your camera to capture whatever comes your way without having to change lenses frequently. Due to the 2.8 aperture, you will notice a difference in depth of field, but that may be a sacrifice you’re willing to make if a multi-purpose lens suits your needs more.

Whatever your needs and budget may be, all the lenses on this list are solid options to help you graduate from your kit lens and take your headshot photography to the next level.

Long exposure photography can be a lot of fun and produce some of the most compelling and epic images.

The best part is that it can be done without a really expensive professional-level camera as long as you have a good set of neutral density filters.

But you came here looking for the best cameras for long exposure photography, so here are the options I would recommend based on your specific use and needs.

All of the cameras below have the functions necessary to take long exposure photos (manual shutter, bulb mode, ability to add ND filters).

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	View On Amazon
Best Overall Sony A7RIII
Budget Option For Canon Shooters Canon EOS M200
Budget Option For Nikon Shooters Nikon Z50
Budget Option For Sony Shooters Sony a6400
Runner Up Nikon Z6
Super Compact Option Sony Cyber-Shot DSC-RX100 VII

Best Overall | Sony A7RIII

Even though I usually use Nikon gear, this camera has me a little jealous, especially when it comes to shooting landscapes like long-exposure images. A favorite of pro landscape photographers, the Sony A7RIII has everything you need to create epic images.

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Specs

• 61.2MP BSI CMOS full-frame sensor
• Powerful yet easy-to-use AF tracking system
• 10 fps burst shooting (JPEG or Compressed Raw from 12-bit readout)
• 5.76M dot OLED viewfinder
• CIPA rated to 315 shots per charge, USB charging
• 4 or 16-shot high resolution modes (up to 240MP images for static subjects)

Let’s just get this mirrorless/DSLR debate out of the way before we get too deep into this list. They’re both just ways to put a body around an image sensor. Neither one has anything to do with image quality…that’s all about the sensor.

But, if you are investing in a new camera right now, it looks like all the innovation when it comes to new cameras and (more importantly) new lenses is going into the mirrorless lineups for each manufacturer. So I do think that mirrorless is the way to go with a new camera, not because they are “game changers” or “revolutionary” or any nonsense like that, but because you want to be able to upgrade your lenses in the future and you’ll have better options going forward with a mirrorless system.

Now let’s talk about the Sony A7RIII.

One of the big knocks on Sony cameras when it came to outdoor and landscape photography is that they fell short of Canon and Nikon in the build quality. However, the fourth generation of the A7R really improved on the ruggedness of the body compared to prior models.

The biggest draw of the A7RIV when it comes to shooting long exposures is the massive 61.2 megapixel sensor. High resolution is a big deal when shooting any kind of landscape photos.

One feature that can be really helpful for shooting long exposures is the Imaging Edge Mobile app. That lets you control the camera from your smartphone and set long exposure timers all without having to touch the camera.

I can’t count how many remote timers I’ve lost. They’re tiny, fall to the bottom of your camera bag, and disappear without a trace. So having that control built into your smartphone makes things a lot easier.

Overall, this is one of the best landscape cameras out there so if you are planning to shoot a lot of long exposures and want the highest quality, most megapixels possible, cameras on the market, then the Sony A7Riii deserves a real close look.

Budget Option For Canon Shooters | EOS M200

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Specs

• Compact for travel, good megapixels, upgradeable lens system with Canon’s newest lenses
• 24MP APS-C sensor with Dual Pixel autofocus
• Face and eye detect autofocus
• 3″ tilting touchscreen
• CIPA rated to 315 shots per charge, USB charging
• Wi-FI and Bluetooth

Canon has stepped up its mirrorless offerings recently and the M200 is a great affordable option for those of you that want to get into landscape shooting but don’t want to break the bank.

This camera sports a lot of features that make it a great affordable option for taking on hikes and photo trips where you may want to shoot some long exposure photos.

To start with, it is very compact, light, and portable. The body by itself is a little larger than a deck of cards. You can get it with a 15-45mm F3.5-6.3 kit lens that is also pretty compact. It’s not a perfect lens by any means but its pretty good considering the price and compactness.

One downside compared to some of the other options on this list is that it doesn’t have a lot of physical buttons and dials to control your exposure. This makes it a little less usable out in the field, especially when you need to make some quick exposure adjustments. However, the touch screen is pretty solid and you can control a lot of the camera features using the screen.

Budget Option For Nikon Shooters | Nikon Z50

The Nikon Z50 is Nikon’s crop sensor mirrorless body. It’s not as much of a budget option as the Canon EOS M200, but for now, it is the most affordable entry into the Nikon mirrorless system.

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Specs

• Compact for travel, upgradeable lens system with Nikon’s newest mirrorless lenses
• 21MP APS-C sensor
• Face and eye detect autofocus
• 3″ tilting touchscreen that folds down 180 degrees for shooting or filming yourself
• CIPA rated to 320 shots per charge, USB charging
• Wi-FI and Bluetooth

It sports the Nikon Z Mount, which means it looks kind of huge on the small Z50 body but also means that you can upgrade to the more expensive full frame Z lenses before investing in a full frame Z body like the Z7 for your landscape photography.

In my opinion, the new Z mount is the biggest draw to the Nikon Z series of mirrorless cameras. It is the widest and closest to the sensor among it’s Canon and Sony competitors. This allows Nikon a lot of flexibility when it comes to engineering new lenses which will result in some of the best quality lenses out there.

The Z50 is a solid all-around performer as well. It’s a crop sensor camera but it handles low light pretty well.

The best part about the Nikon Z50 is that Nikon made sure to design the ergonomics the same way they do for their higher end full-frame cameras. This is one of the few mirrorless crop sensor cameras I have used that fits well in my hand and doesn’t feel like I am going to drop it.

The body is pretty rugged as well compared to other similarly priced crop sensor cameras.

The 20 MP sensor falls short of the 24 MP sensors in the Sony a6400 and the Canon M200, however, I think fewer sensors in the same area give you a little more dynamic range which can be very helpful when shooting long exposures as they often require more range than your average snapshot.

The overall image quality is excellent. Nikon is well known for their color science and this camera is no exception.

So whether you are looking for your first interchangable lens camera or looking to add a backup to your full frame Nikon, the Z50 is an excellent and relatively affordable option.

Budget Option For Sony Shooters | a6400

The Sony a6400 is a few models from the most recent a6600, but since Sony puts out new cameras at a breakneck pace, it isn’t outdated at all and gives you a tremendous amount of capability for much less than the newer crop sensor models from Sony.

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Specs

• 24MP APS-C sensor
• 425-pt phase detection AF system with Real-Time Tracking
• Tilting screen, 180° up, 90° down
• 2.36M-dot electronic viewfinder
• Interval shooting option added
• 410 shots per battery charge (per CIPA)
• Wi-Fi with NFC and Bluetooth

Sony’s crop sensor cameras are more expensive than most. But if you are looking for a budget model, go back a couple of models from the latest a6600 and take a look at the a6400. You’ll get 90% of the capability at a lower price.

Sony is definitely the current leader in innovation and other brands like Nikon use Sony sensors in their own cameras, so you know you are getting a high quality camera when you buy a Sony.

The 24 MP sensor is very good for a crop sensor. It has good dynamic range and low light performance.

In my opinion, the Sony cameras don’t do as well with color rendering as Nikon or Canon, but they are getting better. With the a6400 being an older model, it isn’t as good in this department. But for anyone but the most critical eye, you won’t even notice a difference.

The big downside to the Sony crop sensor cameras for me is the ergonomics and handling.

They are smaller but just don’t fit in your hand as well as other similar cameras like the Nikon Z50 and they aren’t as well weather sealed as the full frame Sony cameras. So if you take this camera out in bad weather, be sure to cover it up.

Sony also catches a lot of criticism for their menu system. I think it’s fine once you get used to it, but users switching over from a Canon or Nikon may find it quite frustrating.

Overall, the Sony a6400 is going to give you excellent image quality for your long exposure shooting, even though it’s ease of use may fall a little short.

Runner Up | Nikon Z6

So why the Z6 and not the Z7? While it has fewer megapixels, the Z6 is much more affordable and more versatile as an overall camera. However, if you are really keen on maximizing the megapixels then the Z7 is also a great camera.

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Specs

• 24.5MP full-frame BSI-CMOS sensor
• Hybrid autofocus system w/273 phase-detect points
• Up to 12 fps burst shooting (Raw + JPEG)
• 3.69M-dot OLED viewfinder
• 2.1M-dot tilting touch LCD
• OLED top plate display
• Single XQD card slot
• SnapBridge Wi-Fi system with Bluetooth

If 42 MP is overkill for you and you are looking for something a little more affordable but that still will give you professional-level quality, the Nikon Z6 is a great option.

The Z6 is kind of Nikon’s mirrorless version of the D750 (a camera I have used as a professional photogrpaher for years and still use now).

That makes this an all around camera that does everything well. The lower resolution means more dynamic range, faster burst shooting (not that you would need that for long exposures), and files that are more manageable if you don’t have a high end photo editing computer.

That versatility is the main reason I am recommending the Z6 here.

Most of us that like shooting long exposures also want to shoot other things (including things that aren’t landscapes and don’t require 40+ MP). So having that versatility is more valuable to most of us than having a high res specialty camera.

The Z6 is also quite capable with video too if you’re interested in dipping your toes in that pool.

The rugged build and weather sealing also make this a great camera for taking anywhere with you.

Lastly, it uses the Nikon Z mount, which, like I said above, is the most exciting mount out there (at least for us nerds that get excited about things like camera mounts).

So you know know that you’ll have great lens options moving forward.

Super Compact Option | Sony Cyber-Shot DSC-RX100 VII

While the Sony RX100 VII actually costs more than some of the crop sensor interchangeable lens cameras above, what you are getting for that price is an ultra-compact camera that is easy to take with you anywhere and still get high-quality images.

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Specs

• 20MP 1″-type stacked-CMOS sensor with phase detection and built-in DRAM
• 24-200mm equivalent F2.8-4.5 zoom
• Retractable 2.36M-dot EVF with 0.59x equiv. magnification
• 3″ touchscreen LCD (flips up 180° or down by 90°)
• Intervalometer
• Wi-Fi with Bluetooth and NFC

While the prospect of only having to carry with you a super compact camera for those long exposure opportunities, they do pose a significant hurdle to long exposure photography. Most such cameras don’t have built in filter threads.

While the Sony RX100 VII is no exception to that (it has no filter threads), it is an exceptionally high-quality compact camera with a 20MP 1″ sensor that makes it ideal for keeping your bag light on excursions AND you can get a very inexpensive adapter that lets you add filters to the camera.

The Lensmate Quickchange Filter Adapter Kit let’s you easily add any 52mm filter to the front of either the RX100 VI or the RX100 VII.

CLICK HERE to check it out on Amazon.

So while the Sony RX100 VII does fall short of the other options on this list, it makes up for that by being compact enough that you can always have it with you.

What To Look For In A Camera For Long Exposure Photography

Long exposure photography is basically just a form of landscape photography, so much of what you want in a camera for these types of images will be the same things that any landscape photographer is looking for.

Here are some of the most important factors.

Resolution

Any time you are shooting a landscape image, more resolution is a bonus.

More megapixels means that you can make larger prints without losing quality, you can crop in more for compelling compositions, and the overall image quality tends to be better in general when you have more pixels to play with in post-production.

Of course, more megapixels comes with a higher price tag, so you need to balance that out with your budget.

I have found that the 24 MP range is plenty to get very high quality images in almost all situations. Of course the 40+ MP beasts like our top pick here will give you a lot more flexibility and detail, but often it can be overkill.

Durability and Handling

If you are taking your camera out on hikes and excursions to find that next epic long exposure composition, then you need a camera that can stand up to the elements and stand up to human clumsiness too.

Build quality, weather sealing, and overall durability is important for any landscape photographer.

Good handling (or ergonomics) in a camera means that it is easy to hold and easy to access the features you need without digging into the menus on the camera.

That’s why higher end cameras have more buttons and dials. You want to be able to make changes quickly and intuitively when you are out in the field.

Portability

Long exposure photography often means carrying your camera gear to a location.

Which makes a lighter, more compact camera a great option. All of the cameras on this list are relatively compact and easy to take with you on yoru next excursion. But some are more compact than others.

The higher quality cameras and lens systems are always going to be bigger so you need to balance that out with the portability factor.

Price

We can’t talk about cameras without talking about price.

A new camera is an investment, so you need to figure out how much you are willing to invest.

I tried to give you a good range of price options above.

For the most part you get what you pay for but all of the cameras above will allow you to create compelling long exposure images.

Frequently Asked Questions

Is long exposure bad for a camera?

No, long exposure is not bad for a camera. Cameras, especially higher end cameras, are designed to handle exposures of many minutes without experiencing any harm. However, once your exposures reach over a few minutes, you may start to see “hot pixels” in the resulting image. This doesn’t mean there is any damage to the sensor but it’s not ideal to have in your image.

DX bodies and lenses are typically smaller, lightweight, and more affordable than their full frame counterparts. While FX lenses typically produce higher quality images, the difference is negligible for most amateur photographers and many pros as well.

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	Important Specs	View On Amazon
Top Pick Nikon DX 16-80mm f/2.8-4E ED VR	Max Aperture: f/2.8-4 Weight: 16.93 oz 72mm Filter
Budget Option Nikon AF-S DX 35mm f/1.8G	Max Aperture: f/1.8 Weight: 7 oz 52mm Filter
Pro-Level Zoom Sigma 17-50mm f/2.8 EX DC OS HSM	Max Aperture: f/2.8 Weight: 19.2 oz 77mm Filter
Largest Zoom Range Nikon 18-300mm f/3.5-6.3G VR	Max Aperture: f/3.5-6.3 Weight: 19.4 oz 67mm Filter
Best For Landscape Shooters Tokina 11-16mm f/2.8 ATX Pro DX II	Max Aperture: f/2.8 Weight: 19.4 oz 77mm Filter

At the heart of every camera is its sensor. This little rectangular gadget takes wavelengths of light and turns it into the zeros and ones that make up the digital data of our photographs. Nikon produces two different sized sensors: the large FX sensor at 36x24mm, and the smaller DX ‘crop’ sensor at 24x16mm.

I’ll be honest…most of my photos go on Instagram, not billboards, so sensor size doesn’t really matter much.

So, you’ve done your research and bought a crop sensor Nikon body, because it was lightweight and compact – perfect for your backpacking trip across Patagonia.

And now, it’s time to find the best DX travel lens for your trips!

To help you out, I’ve put together a breakdown of some great crop lenses for your Nikon DX-format sensor camera body.

Top Picks

Click Below For Details

• Nikon AF-S DX 16-80mm f/2.8-4 E ED VR | Top Pick
• Nikon AF-S DX 35mm f/1.8G | Budget Option
• Sigma 17-50mm f/2.8 EX DC OS HSM | Pro-Level Zoom
• Nikon 18-300mm f/3.5-6.3G VR | Best Zoom Range
• Tokina 11-16mm f/2.8 ATX Pro DX II | For Landscape Shooters

Nikon AF-S DX 16-80mm f/2.8-4 E ED VR | Top Pick

Zoom lenses are versatile. And we humans – photographer or not – love versatility. Heck, I don’t own a single tool, just a toolbox full of different multi-tools! So naturally we gravitate towards zoom lenses. Why take a handful of lenses when I can take one?! That’s just more to carry…

Nikon AF-S DX 16-80mm f/2.8-4

This Nikon 16-80mm covers the perfect travel range and the f/2.8-4 max aperture is enough to let you get the shots you want when the sun goes down on your travels. You could shoot an entire trip with just this lens and never miss a shot.

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The Nikon 16-80mm f/2.8 VR lens kind of does it all, and the price reflects that. The built in vibration reduction (VR) is really handy.  It makes handheld shooting, especially in low light, much more successful. The 16-80mm range and wide aperture is impressive, and paired with the vibration reduction, you’re basically unstoppable. Snap that mountain vista, then zoom on the swooping falcon and “snap!” grab that too.

If you’re after the “do-it-all-and-still-be-stunned” lens, then this is it. You’re hardly going to regret lugging around this one pound powerhouse.

At such a compact size, light weight, and affordable price, there’s no reason not to sling this little gem into your travel pack.

Nikon AF-S DX 35mm f/1.8G | Budget Option

Every good photographer should have a prime lens in the arsenal of lenses. They are simple, easy to use and oh so satisfying for reasons that science can’t explain. They’re just fun.

Nikon AF-S DX 35mm f/1.8G

The Nikon 35mm f/1.8 is the one lens every Nikon DX camera owner should have. It’s the equivalent to a full-frame 50mm and gives you the ability to get clean shots in low light at a reasonable cost.

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This Nikon 35mm with an f/1.8 aperture is a great lens. A crop sensor introduces a 1.5x crop – so this 35mm will appear tighter, more like a 50mm lens. 50mm is the sweet spot for producing beautiful undistorted.

Its real selling point is the wide aperture. Shallow depth of field and beautiful bokeh has become a hallmark for high quality (or ‘artistic’) images. And with an aperture that wide you can feel confident shooting images in low light conditions. So spin that dial back and open it right up, shoot all day and shoot all night… just because you can.

Sigma 17-50mm f/2.8 EX DC OS HSM | Pro-Level Zoom

No, it’s focal range isn’t as impressive as the aforementioned Nikon, and no, it’s not smaller or lighter… but it is more affordable.

Sigma 17-50mm f/2.8

One of the best Nikon DX lenses available and it isn’t a Nikon! The Sigma 17-50mm f/2.8 is a wide aperture zoom that is the crop-sensor version of a full-frame 24-70mm. Impeccable sharpness and a constant f/2.8 makes this a very useful lens in a variety of situations.

CLICK below to compare prices…

This one’s for the shooter on a shoestring budget. You’ve probably already spent your camera budget on flights around the world, and just need something that will take great photos and not blow a hole in your pocket.

By no means is the Sigma 17-50mm f/2.8 a bad lens. Far from it, in fact. Sigma has installed its own brand of vibration reduction – Optical Stabilization (OS), again increasing the performance of the lens when being used handheld and/or in low light. 

Certainly a selling point of this lens (if not the price) is the wide aperture. Wide aperture photos with blurry backgrounds and sharp, shallow focal points are just, well… cool. And to have that capability in an affordably priced, good quality zoom lens, WITH stabilization, is also pretty cool if you ask me.

Nikon 18-300mm f/3.5-6.3G VR | Best Zoom Range

Maybe you don’t care about bokeh-filled, shallow depth-of-field photographs of mountain flowers at dusk, you just want ZOOM. You want to see what the mountain lion is eating for lunch half way down the valley; you want to see the expression on the face of the gargoyle grazing the sky at the top of the cathedral. 18-300mm, how’s that for versatility! Need I say more?

Nikon 18-300mm f/3.5-6.3G

With a massive zoom range, this could be the only lens you take on your trip. Good image quality and vibration reduction make this lens a great option for traveling. But the size and weight may be a negative for some looking for a lighter kit.

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The selling feature of the Nikon 18-300mm f/3.5 VR is the outrageous focal range that it sports (equivalent to up to 450mm with the 1.5x crop factor on the DX sensor – that’s a lot of zoom!). I also really like the incorporation of VR stabilization. With VR on, it is much easier to take sharp handheld images at full zoom. For a travel setup with no extra lenses, the sharp images it can produce at any focal range may be a determining feature.

Unfortunately you can’t have it all. This lens is understandably the heaviest of those I have touched on, but not by much. Plus, the aperture leaves some to be desired. Shooting in low light is going to be difficult without a tripod. This is alleviated to some point by the VR stabilization.

If you love lens versatility and don’t mind the extra weight, then jump on one of these. Pick up a tripod while you’re at it, and you’ll be shooting through the night!

Tokina 11-16mm f/2.8 ATX Pro DX II | For Landscape Shooters

On the flip side, maybe you don’t care about how close you can get to the subject. You want to have it ALL in the shot. You’re probably a sucker for a seascape, a landscape lover, you have “wide-or-die” tattooed across your chest.

Tokina 11-16mm f/2.8

Perfect for travelers that prefer to shoot landscapes and are looking to save some money compared to the Nikon brand lenses, this Tokina 11-16mm f/2.8 is a surprisingly high-quality lens for the price.

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None of the other lenses I have covered compare to the wide angle capabilities of the Tokina 11-16mm f/2.8. With a crop sensor it is more difficult to get really wide. But this lens does a good job pushing the focal limit, making this barely an issue.

Another solid feature is the wide aperture. Again, you’re going to find easy shooting in low light, nice bokeh and shallow depth of field possible. However, this lens is one of the heavier lenses, and it does not have any kind of stabilization. For its intended purpose, this probably wouldn’t present any real challenges

This is the obvious choice if you primarily shoot night scenes, landscapes, seascapes, cityscapes, or you just like the wide angle look. And, it is certainly modestly priced for a good quality wide angle lens.

What To Look For In A Nikon DX Travel Lens

DX lenses are typically far cheaper than full frame lenses. If you are shooting with a full frame body, don’t disregard DX lenses, most will work on your FX camera body. Just toggle the crop frame function and keep shooting like normal.

What to look for always comes down to your personal preference and the kind of travel you are embarking on. If you are solo backpacking the PCT then the weight is number one. Take the 35mm prime lens, it weighs nothing. If you’re heading to Rome for a three-week vacation, then versatility is key. Take the zoom lens that won’t break the bank, so you got more in the tank for gelato and pizza.

Size and Weight

Usually, when you are traveling you want to be light and fast. That’s where Nikon’s DX range excels. Fast, light, and effective. For this purpose, I highly regard versatility and portability when making a travel lens selection. 

What defines your portability requirements is the way you like to travel. For the solo backpacker space is at a premium. You might only take a simple zoom, or prime lens. The city hopper on the other hand may have space for a bulkier lens, or even multiple lenses.

Versatility

On the other side of the coin is versatility. Will this lens be able to capture all the pictures I want to take? If wide angle street photography is your thing, then you’re not going to a 300mm zoom lens be particularly versatile. First, think about what kind of images you would like to create, then define what lens (or focal range) will help you achieve this most effectively.

Image Quality

It should go without saying that image quality is always a big factor when buying a lens. Even though the DX crop sensor lenses are the top of the range, there’s no need to shirk on image quality. These lenses are good! I believe if you’re adding to your photography kit you should always aim for something with better glass than what you currently have.

Consider it future proofing… remember you can still use DX lenses on a FX body for when you want to upgrade your camera body.

Cost

Finally, try and stay in your budget! There are many different price points and options when purchasing a new lens. Aftermarket lenses are often cheaper than native lenses, usually with very little change in image quality (sometimes aftermarket lenses can be better!) Consider the second hand market.

Try snag a good deal if you’re really set on a particular product but beware of potentially faulty items. Certainly, the simpler lenses are cheaper. The prime Nikon AF-S DX NIKKOR 35mm f/1.8G is the cheapest lens I reviewed, but by no means is it weak!

Pick The One That Suits Your Needs

I usually travel light. Sometimes to cities, other times the wilderness, but always with my gear on my back. My bag is always pretty loaded, so I have to be tight on my camera-gear-allowance.

I find myself more often just taking one lens with me, attached to my camera around my neck or in my backpack. I flip between being infatuated with high zoom, then wide-angle photography. When I’m heading out the door I just grab the one I’m in love with that day and just roll with it.

Common Questions About Nikon DX Lenses

How do I know if my Nikon lens is DX or FX?

Crop sensor Nikon lenses are marked with “DX” on the lens barrel. Other brands will likely be marked with “DX” or something similar, such as “DC” (Sigma), or “Di” (Tamron).

Can you use FX lenses on DX cameras?

Yes. FX lenses project a circle of light large enough to cover the 36x24mm FX sensor. The DX sensor is smaller, at 24x16mm, so the image will be cropped smaller. Functionally, your focal length will appear 1.5x larger when using an FX lens on a DX body. 35mm will feel like 50mm if you are used to shooting full frame.

You can also use DX lenses on FX bodies. Your camera should detect that you are using a DX lens, or you can manually toggle the crop function on your camera body.

Whether you’re just starting a new family or looking for a way to capture more family photos, upgrading from the cell phone camera is a great way to capture higher quality family photos.

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	Important Specs	Click To Compare Prices
Sony A6500 Editor’s Pick	24.2 Megapixels APS-C Sensor Image Stabilization Up to 11fps 4k Video 453g body
Canon EOS Rebel T7 Budget Option	24.1 Megapixels APS-C Sensor Up to 3fps HD Video 475g
Nikon Z50 Mirrorless Pick	20.9 Megapixels APS-C Sensor Image Stabilization (lens only) Up to 11fps 4K Video 395g
Nikon D5600 Best DSLR	24.2 Megapixels APS-C Sensor Up to 5 fps HD Video 465g
Sony A7III Pro Level Pick	24.2 Megapixels Full-frame Sensor Image Stabilization 4K Video Up to 10 fps 635g
Sony RX100VI Best Point and Shoot	20.1 Megapixels 1″ Sensor Image Stabilization 4K Video Up to 24fps 301g

But with hundreds of options on the market, the choice can be quite overwhelming.

So hopefully this guide to the best cameras for family photography can help you narrow down the options a little bit. You can see that instead of just giving you a list of cameras, I tried to break them down into categories that might be helpful to you.

Top Picks

Click Below For Details

• Sony A6500 | Editor’s Pick
• Canon EOS Rebel T7 | Budget Option
• Nikon Z50 | Mirrorless Pick
• Nikon D5600 | Best DSLR
• Sony A7III | Pro Level Pick
• Sony RX100VI | Best Point and Shoot

Sony a6500 | Top Overall Pick

Sony was one of the first major manufacturers to jump into mirrorless cameras and that move paid off huge as they quickly got up to the level of Canon and Nikon as far as camera sales. The Sony a6500 is a great camera that will improve your family photos and also let you expand into more advanced photography if you choose to.

Best Camera For Family Photography

Sony a6500

The Sony a6500 is a solid and compact interchangeable lens camera that does everything you need for great family photos and video and will let you experience more advanced photography as you learn more.

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One of the best features of Sony mirrorless cameras is their eye autofocus capability. This is a feature that will identify the eye of a person (as long as they are close enough) and focus right in on the eye itself. In most cases it can even distinguish between the eyeball and eyelashes.

Any portrait photographer will tell you that the key to a sharp image is nailing focus right on the eyes (and sometimes if the person is close to the camera you can narrow that down even more to focusing on the eye closes to the lens). That is exactly what the eye autofocus feature can do.

This camera has image stabilization built into the camera itself. That means that when shooting still subjects, you can use a slower shutter speed and still have the image come out sharp. It also means that you can shoot video handheld and the camera will compensate for a lot of the camera shake giving you much less jittery video.

The Sony a6500 does fall a little short when it comes to weather sealing though. That means you have to be a little more careful about taking it out in rain, near the ocean, or in dusty conditions. The more expensive a6600 has better weather sealing.

The main reason I didn’t choose the newer a6600 is the price. At about $400-500 more than the a6500, the added features (while impressive) aren’t necessary for most family photography.

Canon EOS Rebel T7 | Budget Option

Canon is the biggest name in photography and the Canon EOS REbel T7 (also called the EOS 2000D because Canon likes to confuse you) is a solid entry-level DSLR camera that is very affordable. If you are just getting started with photography and want to save some money, this is a great option and will give you noticeably better images than even the best cell phone cameras.

Canon EOS Rebel T7

The Canon EOS Rebel T7 is a simple straightforward DSLR that gets the job done very well at an affordable price that makes it a great fit for families on a budget that still want great family photos.

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The Rebel T7 has a 24.1 megapixel sensor which is plenty of resolution to capture the average family trip (or just about anything else).

This being a Canon camera, you will have the advantage of the huge canon lens library to choose from. There are plenty of options from affordable to extremely high end. Keep in mind that this is a crop sensor camera with a 1.6x crop factor. That means that the effective focal length of any lens will be multiplied by 1.6 (so a 50mm lens will have the field of view of a 75mm focal length).

The rear LCD screen is not a touch screen (not a big deal) but it’s also a fixed in place screen (bigger deal). That means you can’t tilt it up and down to get different angles for your photography while still being able to see the screen easily.

It also lacks Canon’s Dual Pixel Autofocus, their relatively new autofocus system that works really well to grab focus quickly and accurately and is a favorite among video shooters as well. But, I wouldn’t consider a top-notch autofocus system a necessity for family photography since Canon’s prior autofocus system was pretty good already. Most amateur photographers will not even miss the Dual Pixel Autofocus.

Nikon Z50 | Mirrorless Pick

Nikon doesn’t have the market share of Canon or Sony but they have been making great cameras for over 50 years. Nikon cameras are known for their great ergonomics and build quality and that has carried over to their first-generation crop sensor mirrorless camera. The Nikon Z50 was a very close call for our top pick and would make an excellent addition to any family’s household.

In fact, it made our list of the Best Mirrorless Cameras Under $1000.

Nikon Z50

The Nikon Z50 features Nikon’s well known attention to ergonomics and images quality in a smaller mirrorless package that is easy to use and will make it easy for you to take on more advanced photography projects as well.

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Just to get this out of the way…I know that the overall top pick above is also a mirrorless camera as well. But I can’t put the same camera in this category, so I wanted to give you a second option.

For what its worth, even though I use a D750 for my professional work, this is the camera that I have with for everyday photos.

The image quality of the Nikon Z50 is right up there with almost any crop-sensor camera. It has a 20.9 MP sensor, which is good, but not great. I would have liked it better with 24MP, but it comes pretty close. It also handles low light about as well as any crop sensor camera out there from any brand.

The Z50 also has Nikon’s new Z Mount. This is the largest mount among the big manufacturers as well as the closest to the sensor. While the mount may look giant next to the crop sensor in this camera, there are a few major advantages.

First, the close proximity to the sensor (that’s called flange distance) as well as the large opening means that Nikon (and other lens manufacturers) have more options open to them when creating lenses. That allows them to develop smaller lenses for cameras like the Z50 but also super-fast full frame lenses like the new Noct 50mm f/0.95. So you can get this camera knowing that you’re ready for future lens technology.

On top of the specs you can read about, Nikon gives a lot of attention to the way their images are processed in the camera and the result is among the best in color rendition and overall quality. That is Nikon’s secret recipe that you can’t really see in a spec sheet.

There are a few downsides though and these are the reasons why the Sony a6500 got the top spot.

The Nikon Z50 lacks image stabilization built into the body. So far both crop sensor Z Mount lenses do include in-lens image stabilization. But that means that you won’t get any image stabilization if you use the adapter with older lenses that don’t have it. That’s a real bummer because one of the cool things about mirrorless cameras is the ability to easily adapt them to a wide variety of vintage (and really inexpensive) lenses.

The Sony also has more megapixels which can be helpful if you like to shoot landscapes on family vacations or find yourself cropping in on images often.

Nikon D5600 | Best DSLR

The Nikon D5600 is the next level up from the more budget-friendly Canon model above. It is still a crop sensor camera but with a better image sensor and some additional features that you may find useful.

Nikon D5600

The Nikon D5600 is a highly capable DSLR camera with great image quality

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If you want to stick with the traditional DSLR camera, then the D5600 is going to let you create some high-quality images and is a great value for the money. This camera is a DSLR camera like the budget option above, but its certainly an upgrade.

You’ll get better low light performance with the D5600 over the Canon model above as well as slightly better image quality.

You’ll also get a flip out screen. The screen on the D5600 flips out to the side and rotates around. That means that you can see it from behind the camera and above or below, but you can also flip it around 180 degrees to see the screen when the camera is facing you. This is very helpful for shooting selfies or setting the camera on a tripod and shooting video of yourself.

Like Canon, Nikon also has a tremendous lens lineup including the Nikon lenses and third party lenses. You’ll have plenty of choices if you want to upgrade the glass. In addition, the Nikon crop sensor cameras use the same mount as the full-frame cameras. So you can use high-quality full-frame lenses in this camera and add them over time if you want to plan ahead to a switch to full-frame.

Sony A7III | Pro-Level Pick

The Sony A7III is the 3rd generation of their mid pro-level Mirrorless camera line. It doesn’t have the insane resolution of the A7R lineup or the great video performance of the A7S lineup but it does everything really well.

Sony A7III

The Sony A7III is…

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The Sony A7III is arguably one of the best cameras on the market today. You could consider it their “basic” full-frame model but I think it is more accurately characterized as a utility camera because it does everything pretty good and at a lower price than high-resolution A7RIV.

A full-frame sensor means higher quality images compared to the crop-sensor cameras on this list as well as much better performance in low light situations. This camera uses a back-side illuminated (BSI) sensor to deliver great quality in low light.

The larger sensor also makes it easier to blur the background of your photos for that professional portrait look.

The camera has a touch screen with one odd caveat. You can use the touch screen to set focus, which is extremely helpful compared to using buttons or a joystick to move the focus points. However, the touch screen doesn’t work for accessing menu options in the camera. The focusing is probably more important, but it seems weird to make that distinction.

As the third version of the R7 model, this camera has made some important improvements over its predecessors. One of the most important for you is probably the battery life. Sony’s first attempts at mirrorless cameras had terrible battery life and required you to carry a handful of batteries with you for an extended outing.

The R7III has made significant improvements on battery life, just about doubling that of its predecessor. You can expect around 700+ shots out of one fully charged battery under most circumstances.

When it comes to video, the Sony A7III is one of the best around outside of the dedicated cinema cameras. A good number of professional videographers use this camera for handheld or on the go shooting.

Sony RX100VI | Best Point and Shoot

While point and shoots are slowly being replaced by cell phone cameras, a high-quality point and shoot camera can be just as good as an interchangeable lens camera in many situations and much more compact. The Sony RX100VI is at the top of this narrow field of exceptional point and shoots that are still worth it.

Sony RX100VI

With a massive zoom range of 24-200mm and very good image quality for such a small form factor, the Sony RX100VI could be the camera that you always have in your bag for those sudden family photo ops.

CLICK below to compare prices…

This camera may seem a little pricey for a “point and shoot” but it really deserves to be compared to the other interchangeable lens cameras on this list because of its capabilities. In fact, this is one of the only point and shoot cameras that is worth buying.

If you don’t want to step up to this price range for a point and shoot, then you’ll probably be better off just sticking with your cell phone or checking out the budget-friendly DSLR above.

First, let’s talk about the image quality and the sensor on this camera. It is a 1-inch sensor which is smaller than the crop-sensor cameras here and much smaller than the full-frame Sony A7III below. Compared to the full-frame camera, this camera has a crop factor of 2.7.

But Sony’s listed 24-200mm focal length is the full-frame equivalent. The actual physical focal length of the lens is 8.8-74mm, so rest assured you are getting the actual 24-200mm field of view and don’t have to worry about the crop factor.

In general, a larger sensor will give you better image quality and perform better in low light. So if you plan on taking a lot of photos in low light situations then this may not be the best option.

That being said, everything else about this camera is pretty great. It has an aperture of f/2.8-4.5 and a zoom range of 24-200mm. So you’ll be able to get the shot you want in a wide variety of situations. It’s this zoom range that really sets it apart from any cell phone camera.

If you’ve ever tried shooting your kids game with your iPhone only to realize that they are a tiny spot in a super-wide photo, then you’ll see a massive difference with this zoom.

Keep in mind that the lens on this camera is fixed, which means you can’t swap it out like you can on every other camera here. That plus the smaller sensor is why Sony is able to make this camera so small.

It does come with image stabilization which is very helpful when shooting at the 200mm end of the zoom range or when shooting video at any focal length. Speaking of video, you can shoot 4k video with this camera as well.

What You Should Look For When Choosing A Camera For Family Photography

If you’re reading this then you’re not necessarily looking for the perfect camera…you want a camera that will work great as a family camera. One that you can have with you for pictures of the kids and other family members.

So rather than just give you a list of the best of the best, you can see above I tried to focus on features that would be useful for your needs. Here are the factors that weighed most heavily in making those picks…

Ease Of Use

Your camera is no good to you if it’s too complicate to learn.

If you want to capture those great family moments then you need to be able to grab your camera quick and get the photo. So a camera that is easy to use and get results with is essential.

Pro-level cameras can create incredible images but they also carry with them a bit of a learning curve. They are amazing tools IF you take the time to learn how to use them.

But if you are looking for a camera that is ideal for family photography like vacations, birthdays, and everyday candid photos, then some of the mid-level cameras (like most of the options on this page) are ideal. These models tend to be smaller and more user friendly than their bigger more powerful pro level cousins.

Image Quality

Any decent camera will be an investment, so you want to make sure that you’re getting high quality images from the camera. After all, if you want just average quality images, you can just use your cell phone.

Generally speaking, larger sensors on cameras will produce higher quality images, but they are also more expensive. Many pro-level cameras, like the one on this list, are often “full-frame” sensors. That means the sensor is approximately the same size as a frame of 35mm film.

The next step down in size is often referred to as a “crop sensor.” Crop sensors are a great middle ground of good image quality while also being more compact and affordable. That’s why most of the cameras on this list are crop sensor cameras.

One of the biggest benefits of a full-frame sensor is the ability to get high quality images in low light situations. This can be especially helpful if you think you’ll be shooting a lot indoors where you can’t use a flash or shooting indoor sports.

Versatility

Family photography can cover a lot of different genres of photography. You’ll end up shooting portraits, sports, travel, indoor events, and probably even some landscape photos.

Cameras with interchangeable lenses make it very easy to adapt to all these different situations.

You can start off with a lens that covers commonly used focal lengths such as 35mm and 50mm and then add more lenses in the future as your budget allows.

Build Quality

You want to make sure you get a camera that lasts, especially since you are going to invest a good chunk of money on the camera.

Some cameras are just more rugged overall. At some point you are going to drop the camera or bump it into something…especially when there are kids involved.

An important feature to look for in a camera is weather sealing. This helps the camera resist the elements. This doesn’t mean the camera is water proof, just that it can be resistant to things like a splash of water, light rain, sand, or dust.

Video Capability

Everyone loves to shoot and watch home movies. Unless they are someone else’s home movies, then you just sit and pretend it’s interesting.

But having a camera that can handle video shooting in addition to still photography is a great benefit to most families. Sure, you can use your phone for most video shooting duties nowadays, but for those special moments, that little extra bit of quality really makes a big difference.

Also, dedicated cameras do a MUCH better job shooting video in lower light situations (like singing happy birthday when the only lights on are the candles on the cake). So in choosing the cameras above, I made sure to consider their ability to shoot quality videos.

DSLR or Mirrorless For Family Photography?

If you’ve spent any amount of time researching new cameras, then you’ve probably noticed that there is a big deal being made between mirrorless and DSLR cameras.

The truth is that most of the hype is marketing. Mirrorless cameras are just DSLR cameras with the internal mirror removed. The mirror is what allows you to look into the viewfinder and view your frame through the lens. With a mirrorless camera you simply use the rear LCD screen or a tiny screen in the viewfinder to see through the lens.

A major benefit of mirrorless cameras is that you can see a preview of the exposure exactly how it will turn out when you take the picture. So you can make adjustments and see them in real time.

This makes learning to use the camera much faster and easier. That’s why most of the cameras on this list are mirrorless models.

Mirrorless cameras are also generally smaller and lighter than DSLRs, which is helpful when you want a camera to have with you on a regular basis during family activities.

So you’ve got your new Nikon camera and the (probably mediocre) kit lens that came with it.

Now you want to take the camera out on your daily adventures or to that upcoming trip, but you want a lens that you can leave on the camera for walking around and still be able to cover most of the photo opportunities that present themselves.

To help you narrow it down, here are my top picks for the best walk around lenses for Nikon cameras.

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	Important Specs	View On Amazon
Top Pick Nikon 24-120mm f/4G ED FX	Max Aperture: f/4 Weight: 25.1 oz Full Frame 77mm Filter
Budget Pick Nikon 50mm f/1.8	Max Aperture: f/1.8 Weight: 6.6 oz Full Frame 58mm Filter
Crop Sensor Pick Sigma 17-70mm f/2.8-4 Contemporary	Max Aperture: f/2.8-4 Weight: 16.5 oz Crop Sensor 72mm Filter
High-End Option Tamron 24-70mm f/2.8	Max Aperture: Weight: 31.7 oz Full Frame 82mm Filter
Z Mount Pick Nikon S 24-200mm f/4-6.3 VR	Max Aperture: f/4-6.3 Weight: 20.2 oz Full Frame Z Mount 67mm Filter
Largest Zoom Range Sigma 18-300mm f/3.5-6.3 Contemporary	Max Aperture: f/3.5-6.3 Weight: 16.5 oz Full Frame 72mm Filter
Runner-Up Tamron 35-150mm f/2.8-4	Max Aperture: f/2.8 Weight: 27.9 oz Full Frame 77mm Filter

Top Picks

Click below for detailed reviews

• Top Pick | Nikon 24-120mm f/4G ED FX
• Budget Option | Nikon 50mm f/1.8
• Crop Sensor | Sigma 17-70mm f/2.8-4 Contemporary DC Macro OS HSM
• High-End Option | Tamron 24-70mm f/2.8
• Z Mount Pick | Nikon S 24-200mm f/4-6.3 VR
• Runner-Up | Tamron 35-150mm f/2.8-4
• Largest Zoom Range | Sigma 18-300mm f/3.5-6.3 Contemporary DC OS HSM

Nikon 24-120mm f/4G ED FX | Top Pick

With a big zoom range in a relatively compact form factor, the 24-120mm lens from Nikon is an ideal walk around lens.

Best Walk Around Lens For Nikon

Nikon 24-120mm f/4G ED FX

The 24-120mm makes the top spot as the best walk around lens with a combination of a big zoom range with a consistent f/4 max aperture to give you the ability to handle a wide range of shots.

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The Nikon 24-120mm f/4 lens is a high quality full frame lens (which will also work on crop sensor Nikon bodies). It is designed for the advanced amateur or even professional who needs a lot of versatility.

The constant f/4 aperture is a useful feature commonly seen on professional level lenses. It means that as you zoom the lens in and out, the aperture will remain constant so you don’t have to worry about adjusting the exposure.

The best feature of this lens is the big zoom range. This can double as a great portrait lens and a great landscape lens for Nikon cameras.

24mm is wide enough for shooting landscapes or wide shots of large indoor spaces while traveling. On the other end, the 120mm focal length is great for tight portraits and getting close to subjects like animals.

For such a wide zoom range, this lens also has very good image quality. It was originally designed with and sold as a kit with the Nikon D750 camera which was a very capable high-quality camera. This lens will hold up even on higher resolution bodies such as the D850. It also works with the new Z series cameras with the FTZ Adapter.

Nikon 50mm f/1.8 | Budget Option

The “Nifty Fifty” is an affordable, very high quality lens that every photographer should have in their bag. While it lacks the versatility of a more expensive zoom lens, the 50mm f/1.8 from Nikon makes for a great walk around lens.

Nikon 50mm f/1.8

The 50mm should be in every photographer’s bag and it makes a compact, high-quality option as a walk around lens that also handles low light shots with a wide max aperture.

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The biggest advantage the 50mm has over some of the other lenses on this list is the wide 1.8 maximum aperture. This will give you the ability to get well exposed images even in lower light situations.

Prime lenses are much less expensive to design and manufacture and typically deliver much higher image quality than zoom lenses. Of course in exchange for the image quality and the fast maximum aperture, you give up the versatility of a zoom lens.

This lens is also much smaller and lighter (6.6 oz) than any other lens on this list.

50mm is often referred to as a “normal lens.” This is because on a full frame sensor it gives a field of view and perspective that is very close to what we see with our own eyes.

This “middle ground” focal length means that you can photograph a wide range of subjects. You won’t be able to get the magnification of a long telephoto or the wide angle look, but for a prime lens, this will be quite versatile.

Remember, if you have a crop sensor camera body, this lens will have the field of view of a 75mm lens. Which you might find too long to be a useful walk around lens.

The DX (crop sensor) equivalent to this is the 35mm f/1.8 for about the same price. CLICK HERE to check availability on Amazon.

Sigma 17-70mm f/2.8-4 Contemporary DC OS HSM | Crop Sensor Pick

For those of you that use a Nikon crop sensor (DX) camera, the Sigma 17-70mm f/2.8-4 Comtemporary model is the lens that you’ll end up leaving on your camera most of the of time.

Sigma 17-70mm f/2.8-4

The wide zoom range and a max aperture that is hard to find on lenses this compact make the Sigma 17-70mm a great choice for crop sensor shooters.

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There are more Nikon crop sensor shooters out there than full frame. Now, every Nikon full frame (FX) lens will work on a Nikon crop sensor (DX) camera too. But if you don’t have any intention to ever upgrade to an FX camera, then buying an FX lens is overkill.

Sigma built this lens with a composite material rather than plastic or metal which makes it lighter while at the same time making it fairly durable and rugged.

The image quality is very good in this lens, especially when compared to the kit lenses that are often sold in a bundle with Nikon crop sensor cameras. Even when shooting at f/2.8 or f/4 you’ll get great sharpness, especially in the center of the image.

The lens extends when zoomed in but the front of the camera does not rotate when you zoom in and out or when you adjust focus. This is really useful if you are using a filter on the front of the lens that will affect the image when rotated, such as a circular polarizer or a graduated ND filter.

One thing to be aware of with Sigma lenses is that the zoom ring rotates the opposite direction of Nikon lenses. So if you are a long time Nikon shooter, this takes some getting used to. I used a Sigma lens for a long time on my Nikon camera, though, and it doesn’t take that much time to get used to.

One thing to keep in mind is that the 2.8 aperture is only available at the widest zoom setting of 17mm. Once you zoom in from there it quickly goes up to an f/4 maximum aperture. But for a small and light lens with this much of a zoom range, f/4 is pretty impressive.

If you like to shoot macro photography during your photo walks, this lens has a minimum focusing distance of 2″ from your subject, allowing you to get real close. That is also helpful when you want to shoot a landscape and get real close to something interesting in the foreground.

Tamron 24-70mm f/2.8 | High-End Option

If you want to invest in a high-quality full frame lens that is perfect as a walk around lens, the Tamron 24-70mm f/2.8 is a professional level mid-range zoom lens with amazing image quality that is about half the price as its Nikon brand equivalent.

Tamron 24-70mm f/2.8

The middle piece of a full-frame lens “trinity,” a fast 24-70mm lens is a workhorse that many photographers use more than any other lens. This is an investment that you’ll never regret.

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The 24-70 f/2.8 lens is a common focal length/aperture combination used by all genres of professional photographers. The 2.8 maximum aperture is large enough to create portrait style photos with that beautiful shallow depth of field. In addition, the image quality is good enough to shoot razor sharp landscape images.

So basically you can use this lens for just about anything and get amazing result.

There are two downsides to this lens.

The first downside is the cost. Coming in at over $1000, this is the most expensive lens on this list. However, this Tamron version of the 24-70 is still half the price of the Nikon version.

The other downside to this lens is that it is the heaviest lens on this list as well. Although the overall weight difference isn’t that much more than some of the others here.

If you are willing to make the investment in a lens like this, though, you’ll have one that has the versatility to be everything from the ultimate walk around lens to one that you can shoot professional level work with.

Nikon S 24-200mm f/4-6.3 VR | Nikon Z Mount Pick

The new Mirrorless system from Nikon is really exciting. Smaller size, lighter lenses, great image quality, and advanced technology built in to the cameras and lenses make the Z Mount system (the compatible lenses are designated as “S” lenses) ideal for an everyday camera that you can keep with you for those unexpected photo opportunities.

Nikon S 24-200mm f/4-6.3 VR

The Nikon S 24-200mm is the perfect every day lens for the Nikon Z Mount system. Paired with the Z6, Z7, or even the crop sensor Z50, this lens gives you all the versatility you could need for a walk around lens.

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The Nikon S 24-200mm f/4-6.3 has a big zoom range, decent aperture, incredible sharpness, and comes in a light package that makes it ideal as a walk-around lens.

One of the undeniable features of all the Z-Mount lenses is the image quality. The larger Z mount makes it easier to direct the light entering the lens onto the sensor without as many glass elements as may have been needed for the older F-Mount. This means cleaner images and higher resolution. Seeing as the Z7 offers 45.7 megapixels, the Z lenses need to be up to the task.

In addition, the 24-200mm zoom ranges is one of the best on this list, second only to the Sigma lens below. But the Nikon S 24-200mm is superior to the Sigma in image quality. So if you have a Nikon Z camera, this is the clear winner.

Tamron 35-150mm f/2.8-4 | Runner-Up

The Tamron 35-150mm f/2.8-4 was a close second to my top pick above. But that doesn’t mean this is a bad lens, in fact there are a lot of reasons you may want to choose it over the Nikon above.

Tamron 35-150mm f/2.8-4

The Tamron 35-150mm is a less expensive alternative to my top pick above and the longer max focal length plus the wider max aperture at 35mm might even make it the best option for many photographers.

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To start with, this lens is a few hundred dollars cheaper than the Nikon 24-120mm. It also gives you more reach on the long end with a 150mm max focal length as well as a wider aperture at the 35mm end with f/2.8.

The extra reach is useful if your every day activities include more telephoto intensive types of photography such as shooting your kid’s sports.

One of the downsides to this lens is that it isn’t quite as wide as some of the other options here with the widest focal length being 35mm. If you tend to shoot a lot of landscapes or just like using wider focal lengths, then this lens may not suit your needs as well as some of the others here.

But if your typical photo walk includes more people and details rather than wider shots, then this may be perfect for you, especially if you are able to take advantage of the wider aperture at 35mm.

Sigma 18-300mm f/3.5-6.3 Contemporary DC OS HSM | Biggest Zoom Range

If you are looking for a huge zoom range and maximum versatility, then the Sigma 18-300mm is a great option.

Sigma 18-300mm f/3.5-6.3

The Sigma 18-300mm has a massive zoom range and a surprisingly wide max aperture at the wide end to make it the ultimate in versatility (as long as you don’t need to shoot in low light above 18mm).

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You’d be hard pressed to find a subject or situation that can’t be covered well with that zoom range.

However, you do give up some image quality and have to contend with a smaller maximum aperture of f/6.3 at the long end of the zoom range. On the plus side, however, the f/3.5 maximum aperture at the wide end is actually better than the top pick above.

What To Look For In A Walk Around Lens

Versatility (Zoom Range)

If you’re looking for a goof walk around lens then the ability to use the same lens in a wide variety of situations should probably be your primary concern.

Build Quality

A “walk around lens” usually means a lens that you can keep on your camera most of the time during your every day travels or even a lens that you would keep on your camera during a vacation just to have with you for unexpected photo opportunities.

That means that the lens will get a lot of use. So you need a durable lens.

All of the lenses above have good to excellent build quality. Higher end models like the Tamron 24-70mm are “pro” lenses and have excellent build quality as well as weather sealing. Pro photographers put their cameras and lenses through a lot of use and sometimes in harsh conditions. So you can feel confident that a lens like that is going to last.

But even below that pro category, every other lens on this list is going to take repeated use and still perform as if it was new.

Image Quality

I listed this factor third because if you are looking for a “walk-around” lens then you’re probably weighing convenience much higher than impeccable image quality.

It’s hard to make generalized statements about image quality, but typically lenses with huge zoom ranges tend to sacrifice a little bit of sharpness in exchange for that versatility. Cost is also a factor as you typically get what you pay for when it comes to lenses.

That being said, modern lenses are all pretty good when it comes to image quality, so unless you are shooting professionally for a very demanding client, any of the lenses on this list are going to give you really sharp crisp images with good shooting technique.

Affordability

Cost and budget is always going to be a factor in every lens purchase. Let’s face it, lenses are expensive.

The good thing, however, is that investing in a quality lens means you’ll have that lens for years or even decades. While camera bodies become outdated in a few years, good glass never loses its usefulness.

So in creating the list above, I did my best to give you a range of price points to choose from.

So if budget is a major concern, check out our budget pick above.

Portability

This factor is usually directly at odds with the versatility and zoom range. In order to get more of a zoom range in a lens, it usually needs to be bigger.

But, something a lot of people don’t consider is that one somewhat larger lens is always going to take up less space than two lenses. It also makes getting the shot a lot easier. So don’t be afraid of a little extra size if getting the shot is important to you.